Indiana Jones meets the Dragon Lady in this knockabout tale of rolling stone Dan Stark and his now-and-then, 20-year adventures with the evil, evil Chantal d`Auberon. It's 1972, and Stark's a reporter for the Florida Key Times who's sent out to interview Christine Terry, survivor of a Caribbean yacht wreck that left her husband dead and her drifting on a lifeboat for 19 days. But there were stolen emeralds aboard that yacht, she whispers to him, and together they slip off to retrieve them. Stark thinks it's all too easy, and he's right: Christine isn't Christine, of course, but Chantal, and abandoning Stark while she runs off with the swag is only Act One of a long- running matinee serial. Years pass before Stark, disguised as a coke dealer, gets his chance for revenge. And no sooner has he gotten it than Chantal's after him again, nearly killing him before getting sent up on drug charges that leave her in prison for more short years (a few paragraphs) before she's ready for still another crack at Stark, now run through a successful business and ripe for further treachery. A stint as a beach bum, a new career as a campground owner and sometime author—Chantal (next seen as the Comtesse de Villiers, the queen bee of Puerto Vallarta) can ruin Stark and leave him for dead, but she can't leave any marks; and in the meantime (by now it's 1990), he's made contact with Chantal's daughter Gabrielle, who may or may not be his daughter too. Following in the footsteps of James M. Cain but without Cain's bile, Faust (In the Forest of the Night, 1993) makes Stark's whole life a pleasant afternoon at the Bijou. As for Chantal, ``she was a viper.'' ($75,000 ad/promo)
Pub Date: April 14, 1994
ISBN: 0-312-85164-2
Page Count: 320
Publisher: Forge
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1994
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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