A beautifully rendered if often attenuated first novel about social disintegration in India and in a contemporary Lilliput. Mixing fable and reportage, Shankar (now teaching at Rutgers Univ.) describes two superficially different societies: Madras, a Tamil-speaking city in India, and the land of Lilliput, first described, of course, by Swift in Gulliver's Travels. The two, it turns out, have much in common, and the alternating accounts by two very different characters create an impressively nuanced portrait of neototalitarian societies. In both states, leaders mouth platitudes about the people's good while lining their own pockets, dissidence is violently suppressed, and thugs rule the streets. The Madras narrator is C. Ramakrishnan, usually known as RK. Back from the States with a master's degree, he's marking time until he begins law school. The narrator of the Lilliput tales is Valur Vishveswaran, a modest, fearful, rather odd figure. To pass the time, RK becomes increasingly involved in a local political campaign. Shanthamma, a noted labor organizer, has decided to run against the party machine in the upcoming elections, but as RK and others try to help her, her opponents turn violent. Shanthamma is murdered, and when the authorities try to suppress the investigation into her murder, riots break out. Pressure mounts to see justice done. Meanwhile, alone in his room, Valur records how old papers he discovered led him to Lilliput, which, he realized only dangerously late, was a chilling police state in miniature. Both man and nature were held under strict control: Forests were destroyed to make model cities, and all dissent was forbidden. Soon in trouble, Valur flees with Fargo Withrun, whose dissident lover has been killed. An ambitious political allegory that sets the scene and makes the point, but at last fails to take flight. The two tales never entirely mesh, and the anger at human perfidy remains curiously muted.
Pub Date: May 27, 1997
ISBN: 0-435-08143-8
Page Count: 279
Publisher: Heinemann
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: April 15, 1997
Categories: GENERAL FICTION
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Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Categories: GENERAL FICTION
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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.
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Inseparable identical twin sisters ditch home together, and then one decides to vanish.
The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.
Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.Pub Date: June 2, 2020
ISBN: 978-0-525-53629-1
Page Count: 352
Publisher: Riverhead
Review Posted Online: March 15, 2020
Kirkus Reviews Issue: April 1, 2020
Categories: LITERARY FICTION | GENERAL FICTION
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