Contrived and dry, but resoundingly upbeat.
Can a few thousand well-intentioned engineers and scientists help 25,000 hearty, well-intentioned South Africans put the world back together after a comet wipes out most of the planet? You bet!
Instead of following the apocalyptic post-disaster scenarios of On the Beach or the Mad Max films, this fiction debut from technological apologist and scientific optimist Florman (The Introspective Engineer, 1996, etc.) more closely resembles B.F. Skinner's Walden Two. Before he can offer his cheerful take on humanity's ability to solve problems, however, Florman must wipe the slate clean by having technology seem to fail: in the year 2009, a missile fired from Earth with the intention of deflecting a comet goes awry, exploding its warhead in such a way that on Christmas Day the comet slams into the Pacific Ocean, off the coast of northern California. The fiery shockwave, massive tidal waves, and freezing rain are both horrifying and intriguing to an international convention of engineers aboard a cruise ship off the southeastern coast of South Africa, the one part of the globe where the comet's effects are minimal. When the ship hits something and starts to sink, said engineers calmly decamp to the mineral-rich tropical province of Kwa Zulu Natal, where some 25,000 others have also escaped extinction. Narrated in part by technological historian Wilson Hardy Jr., the story moves forward as a series of dialogue-heavy lectures in which Hardy and other characters pile on the fun facts about science, technology, and those plucky South Africans (Muslims and Hindus, as well as Boers and Brits), while the ship's high-tech brains form committees with the mid- to low-tech survivors to rebuild, restore, and make babies. A passing challenge from a marauding pirate queen is almost effortlessly rebuffed, and despite a lack of most 21st-century luxuries, life goes on.
Contrived and dry, but resoundingly upbeat.Pub Date: Dec. 11, 2001
ISBN: 0-312-26652-9
Page Count: 336
Publisher: Dunne/St. Martin's
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Oct. 1, 2001
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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