by Sarah Bird ‧ RELEASE DATE: Sept. 1, 1993
The author of The Mommy Club (1991), etc., ventures deep into farcical territory with a Pecos-Bill-style tale—about a Texas misfit who joins the rodeo to find her long-lost father. Sonja Getz would always be out of place in a town like Dorfburg, Texas—the spot where her mother, minuscule Tinka Getz, washed ashore and shortly afterwards gave birth. An adorable blond FrÑulein whose fascination with noble savages led to an unwise affair with a quarter-breed American serviceman in Germany, Tinka landed in Texas unwed and pregnant, but was embraced nevertheless by the sentimental German-Americans she found there. Big-boned, book-addicted Sonja, on the other hand, was left to grow up in utter solitude, comforting herself with fantasies of her absent father, whom she assumed from a publicity photo found in her mother's dresser to be a Navajo trick roper, stoically referring to herself as a woman of color, and operating a faltering pest-control business. When Tinka remarries and kicks 29-year-old Sonja out, the dour young woman marches off to the local rodeo, where she hires quarrelsome trick roper Prairie James to help her find her dad. The mismatched pair rumble across Texas and New Mexico in James's rusty van with his horse, Domino, riding in back, ducking into various rodeos along the way to chat it up with such satisfying potential fathers as wizened old Cootie Ramos and Prairie's former roping mentor, El Marinero. In the end, Sonja learns the horrible truth behind her parentage—but since by that time she's discovered her own amazing talent for rodeo announcing, fallen in love with a refreshment-booth proprietor, and helped rescue Prairie James from his muddled past, the bad news has little effect. Bird's extra-broad, cartoon-like humor here may disappoint ``Mommy Club'' fans—but it's probably safe to say that no one's ever invented a rodeo gal like this before.
Pub Date: Sept. 1, 1993
ISBN: 0-385-41124-3
Page Count: 352
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1993
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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