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MEN IN BLACK

The guilt of a struggling writer/family man is writ large in the latest from Spencer (Secret Anniversaries, 1990, etc.), but the tired theme doesn't support the fine prose and skillfully rendered characters. Sam Holland is a boyishly exuberant novelist—well-respected if not financially well-rewarded—who can no longer afford to keep his wife and two kids in New York City. Relocating upstate, then, Sam turns to penning various hack books under pseudonyms. His latest, Visitors From Above, is a conspiracy-fueled book about UFOs and aliens with the assertion that men in black, who could be aliens or government agents, are spreading disinformation and intimating the truth about an upcoming space invasion. When Visitors unexpectedly becomes a national bestseller, Sam is pressured to undertake a book tour under his pseudonym, John Retcliffe—which also happens to be the pen name of the Polish postal worker who authored Protocols of the Elders of Zion, the hate-filled book that the Nazis used to justify their pogrom against Jews. At the same time Sam's son has run away after finding a letter from Sam's mistress in New York. When the affair ends, the mistress threatens to expose Sam as a fraud, both as writer and husband. While on the road, Sam must juggle mixed emotions about his hack success, the disappearance of his son, and his wife's anger at him for not being at home to help with the domestic crisis. Spencer is at his best in describing the subtle details of interpersonal family relations, yet the plot strains when his hero's first-person narration suddenly gives way to an omniscient voice viewing the family after Sam hits the road. Also, Sam's obsession with hackdom versus art while trying to support a family seems a little overwrought and belabored. A guilt-drenched walk on well-trod ground.

Pub Date: April 16, 1995

ISBN: 0-679-43452-6

Page Count: 336

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1995

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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