by Shehan Karunatilaka ‧ RELEASE DATE: May 8, 2012
The novel works on many levels—including the sociological and the mythic—and can serve as a primer both for adepts and for...
An investigation into the life and times of a mysterious Sri Lankan cricket player from the perspective of an obsessed fan.
Though Sri Lankan himself, sportswriter Wijedasa Gamini Karunasena (Wije to his friends) fits in well with the American stereotype of the journalist as a cigarette-smoking boozer. He and his friends spend their time compiling and arguing about all-star cricket teams, in much the same way Americans would argue over the relative merits of DiMaggio, Williams and Mantle. After years of abusing his liver, and after the Cricket World Cup matches in 1996, he begins to track down the enigmatic Pradeep Mathew, a “spinner” and the best Sri Lankan cricketer ever. (One sign of Pradeep’s omnipresence in the culture occurs when one of the journalist’s friends refers to Montgomery Clift as "the Pradeep Mathew of the silver screen.") In a short period of time Pradeep made a splash and then disappeared, and his mystery involves being simultaneously forgotten and mythologized. Wije is determined to track down the cricketer’s movements and ultimate destiny, so he puts ads in the paper, fishing for "anyone who knows anything about...," and he has limited success—a woman who claims to be his sister, a former girlfriend who has a handwritten poem from the athlete—but Pradeep and his legacy largely remain silent. Wije plays out his obsession with his friend Ari but against a family he’s neglecting, and his problems with whisky eventually land him into a 12-step recovery program.
The novel works on many levels—including the sociological and the mythic—and can serve as a primer both for adepts and for those who’ve never seen a cricket match.Pub Date: May 8, 2012
ISBN: 978-1-55597-611-8
Page Count: 416
Publisher: Graywolf
Review Posted Online: March 18, 2012
Kirkus Reviews Issue: April 1, 2012
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by László Krasznahorkai & translated by George Szirtes ‧ RELEASE DATE: Nov. 27, 2000
A first English translation of a 1989 Hungarian novel, in which the arrival of a traveling circus in a nondescript village arouses local curiosity, paranoia, and terror and ends in a kind of communal madness. Like the work of Austrian ur-pessimist Thomas Bernhard (which may have influenced it), Krasznahorkai’s darkly funny parable is presented in chapters of unbroken long paragraphs, and attains both a hurtling momentum and a pleasing complexity in the presentation of its passionately interconnected characters—the most memorable being the Valkyrie-like hausfrauen Mrs. Eszter and Mrs. Plauf, the former’s estranged husband (a music teacher who tries and fails to remain aloof from his neighbors’ fear of everything new and different), and the latter’s son Valuska, a young idealist whose “awakening” is gloomily foreordained. Not an easy read, but ingeniously composed and fascinating.
Pub Date: Nov. 27, 2000
ISBN: 0-7043-8009-9
Page Count: 320
Publisher: New Directions
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2000
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by László Krasznahorkai ; translated by Ottilie Mulzet
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by László Krasznahorkai ; translated by John Batki ; illustrated by Max Neumann
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by László Krasznahorkai ; translated by Ottilie Mulzet
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by Colson Whitehead ‧ RELEASE DATE: July 16, 2019
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...
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The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.
Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.Pub Date: July 16, 2019
ISBN: 978-0-385-53707-0
Page Count: 224
Publisher: Doubleday
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
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