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THE LEGEND OF PRADEEP MATHEW

The novel works on many levels—including the sociological and the mythic—and can serve as a primer both for adepts and for...

An investigation into the life and times of a mysterious Sri Lankan cricket player from the perspective of an obsessed fan.

Though Sri Lankan himself, sportswriter Wijedasa Gamini Karunasena (Wije to his friends) fits in well with the American stereotype of the journalist as a cigarette-smoking boozer. He and his friends spend their time compiling and arguing about all-star cricket teams, in much the same way Americans would argue over the relative merits of DiMaggio, Williams and Mantle. After years of abusing his liver, and after the Cricket World Cup matches in 1996, he begins to track down the enigmatic Pradeep Mathew, a “spinner” and the best Sri Lankan cricketer ever. (One sign of Pradeep’s omnipresence in the culture occurs when one of the journalist’s friends refers to Montgomery Clift as "the Pradeep Mathew of the silver screen.") In a short period of time Pradeep made a splash and then disappeared, and his mystery involves being simultaneously forgotten and mythologized. Wije is determined to track down the cricketer’s movements and ultimate destiny, so he puts ads in the paper, fishing for "anyone who knows anything about...," and he has limited success—a woman who claims to be his sister, a former girlfriend who has a handwritten poem from the athlete—but Pradeep and his legacy largely remain silent. Wije plays out his obsession with his friend Ari but against a family he’s neglecting, and his problems with whisky eventually land him into a 12-step recovery program.

The novel works on many levels—including the sociological and the mythic—and can serve as a primer both for adepts and for those who’ve never seen a cricket match.

Pub Date: May 8, 2012

ISBN: 978-1-55597-611-8

Page Count: 416

Publisher: Graywolf

Review Posted Online: March 18, 2012

Kirkus Reviews Issue: April 1, 2012

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HOUSE OF LEAVES

The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...

An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.

Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad.  The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized).  As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses).  Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture.  Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."

The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly.  One of the most impressive excursions into the supernatural in many a year.

Pub Date: March 6, 2000

ISBN: 0-375-70376-4

Page Count: 704

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2000

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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