A masterful construction of the troubled conscience of the era and its aftermath.
A friendship between two women, forged during the tumult of 1968, is tested, torn and reaffirmed over the course of their very different lives.
Georgette George, a shy freshman scholarship student at Barnard, doesn’t know what to make of privileged, idealistic Ann Drayton. A firebrand for racial and social justice, Ann asked for a roommate “as different as possible” from her, in hope of bunking with a black woman, but accepts George, who is white, because at least she is from a poor home in upstate New York. The other freshmen find Ann a puzzle, too, and George befriends her initially because no one else—black or white—does. Over time, this headstrong self-made martyr, who gives away money by the fistful and lectures her bewildered parents on the sins of being white and rich, wins her heart, until Ann’s righteousness causes an irreconcilable rift. Long after the two go their separate ways—Ann continues her activism in Harlem with her black schoolteacher lover; George works her way up the masthead at a fashion magazine—Ann is arrested for killing a police officer. Although they haven’t spoken in years, George knows there is much more to the story than the newspapers report. Ann, who refuses all help, is convicted of murder and sentenced to life. George cannot begin to comprehend what has befallen her friend until she runs into Ann’s patrician father, recently widowed. In perhaps the ultimate betrayal, but perhaps also the only way to connect with the inscrutable Ann, they have an affair, which, especially as portrayed by the philosophically adroit Nunez (For Rouenna, 2001), eventually helps George understand that friendships have many chapters, and that Ann, who works on prison reform from the inside despite the wrath of her fellow inmates who won’t trust a white woman, just may not have closed the book on George yet.
A masterful construction of the troubled conscience of the era and its aftermath.Pub Date: Jan. 1, 2006
ISBN: 0-374-18381-3
Page Count: 384
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2005
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
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