by Simon de Pury & William Stadiem ‧ RELEASE DATE: May 3, 2016
At times, the narrative reads like a gossip rag for the fabulously wealthy, but it’s an enjoyable book that lets us live...
Renowned auctioneer de Pury presents a memoir full of gossip, anecdotes, and tales of the very, very rich.
The author always had a physical, rather than intellectual, approach to art. Pure joy was just seeing and being around great art. De Pury, who is assisted by co-author Stadiem (Jet Set: The People, The Planes, The Glamour and the Romance in Aviation’s Glory Years, 2014, etc.), makes no secret of the fact that he has always been an ambitious snob and elitist, required assets for an auctioneer to those with large, expensive collections to sell. His first job was with art dealer and “total genius” Ernst Beyeler, a hometown friend of his mother in Basel, Switzerland. In 1971, Beyeler created Art Basel, and he laid out a five-year plan for the boy who still thought he wanted to be an artist. He showed him that buying and selling can be just as rewarding. The author moved on to Sotheby’s and met Peter Cecil Wilson, “the seemingly mythical chairman” and auctioneer extraordinaire. In Wilson, de Pury discovered the techniques to copy in hopes of being as great as his role model. Occasionally, the book is a true ego trip, with the author recalling his record-breaking sales as “the gallery swooned” or “the crowd breathed a collective ‘wow.’ ” De Pury engages in unabashed name-dropping and delivers plenty of juicy tidbits about some of the world’s 1 percent. However, this is also the story of a man wholly dedicated to his profession, a jet-setter before the jet age. He served as curator for one of the world’s greatest art collectors, Baron Heini Thyssen, and was also the owner of the acclaimed auction house Phillips.
At times, the narrative reads like a gossip rag for the fabulously wealthy, but it’s an enjoyable book that lets us live vicariously in the haut monde.Pub Date: May 3, 2016
ISBN: 978-1-250-05978-9
Page Count: 240
Publisher: St. Martin's
Review Posted Online: March 1, 2016
Kirkus Reviews Issue: March 15, 2016
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by Maya Angelou ‧ RELEASE DATE: Sept. 30, 2008
A slim volume packed with nourishing nuggets of wisdom.
Life lessons from the celebrated poet.
Angelou (A Song Flung Up to Heaven, 2002, etc.) doesn’t have a daughter, per se, but “thousands of daughters,” multitudes that she gathers here in a Whitmanesque embrace to deliver her experiences. They come in the shape of memories and poems, tools that readers can fashion to their needs. “Believing that life loves the liver of it, I have dared to try many things,” she writes, proceeding to recount pungent moments, stories in which her behavior sometimes backfired, and sometimes surprised even herself. Much of it is framed by the “struggle against a condition of surrender” or submission. She refuses to preach or consider her personal insights as generalized edicts. She is reminded of the charity that words and gestures bring and the liberation that comes with honesty. Lies, she notes, often spring out of fear. She cheated madness by counting her blessings. She is enlivened by those in love. She understands the uses and abuses of violence. Occasionally a bit of old-fashioned advice filters in, as during a commencement address/poem in which she urges the graduates to make a difference, to be present and accountable. The topics are mostly big, raw and exposed. Where is death’s sting? “It is here in my heart.” Overarching each brief chapter is the vital energy of a woman taking life’s measure with every step.
A slim volume packed with nourishing nuggets of wisdom.Pub Date: Sept. 30, 2008
ISBN: 978-1-4000-6612-4
Page Count: 192
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2008
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by Vivian Gornick ‧ RELEASE DATE: Feb. 4, 2020
Literature knows few champions as ardent and insightful—or as uncompromising—as Gornick, which is to readers’ good fortune.
Gornick’s (The Odd Woman and the City, 2016) ferocious but principled intelligence emanates from each of the essays in this distinctive collection.
Rereading texts, and comparing her most recent perceptions against those of the past, is the linchpin of the book, with the author revisiting such celebrated novels as D.H. Lawrence's Sons and Lovers, Colette's The Vagabond, Marguerite Duras' The Lover, and Elizabeth Bowen's The House in Paris. Gornick also explores the history and changing face of Jewish American fiction as expressions of "the other." The author reads more deeply and keenly than most, with perceptions amplified by the perspective of her 84 years. Though she was an avatar of "personal journalism" and a former staff writer for the Village Voice—a publication that “had a muckraking bent which made its writers…sound as if they were routinely holding a gun to society’s head”—here, Gornick mostly subordinates her politics to the power of literature, to the books that have always been her intimates, old friends to whom she could turn time and again. "I read ever and only to feel the power of Life with a capital L," she writes; it shows. The author believes that for those willing to relinquish treasured but outmoded interpretations, rereading over a span of decades can be a journey, sometimes unsettling, toward richer meanings of books that are touchstones of one's life. As always, Gornick reveals as much about herself as about the writers whose works she explores; particularly arresting are her essays on Lawrence and on Natalia Ginzburg. Some may feel she has a tendency to overdramatize, but none will question her intellectual honesty. It is reflected throughout, perhaps nowhere so vividly as in a vignette involving a stay in Israel, where, try as she might, Gornick could not get past the "appalling tribalism of the culture.”
Literature knows few champions as ardent and insightful—or as uncompromising—as Gornick, which is to readers’ good fortune.Pub Date: Feb. 4, 2020
ISBN: 978-0-374-28215-8
Page Count: 176
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 9, 2019
Kirkus Reviews Issue: Nov. 1, 2019
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