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THRIST

A second novel (though first to be published in the US) from expatriot American writer Amidon combines a story of alcoholism and the family with a suspenser involving business chicanery and Native Americans. Daniel North is a young American actor living in London, preparing to see his father for the first time in 13 years. But Cal dies of a heart attack on the flight to London, leaving Daniel curious about the mysterious business deal his father wanted to tell him about. He accompanies the body back to Phoenix, where he meets two strangers—his stepmother Lindy and his half-brother James. Cal, an alcoholic, had left Daniel and his mother (since dead) out of shame, and (so Daniel now learns) moved in with Lindy, another alcoholic; only when they were about to lose little James to a foster-home did both parents come to their senses, climb on the wagon, and head West, where Cal found work selling water rights. Daniel and Lindy reach a wary accommodation; he will stay in Phoenix for a time, though their desert subdivision is uninviting and neither Lindy nor Cal's boss, Richard Sweetman, can solve the mystery of Cal's latest deal. As Lindy, scared at suddenly being a single parent, goes on a terrifying, life- threatening bender, Daniel's sleuthing leads him to a nearby Indian reservation, where he learns that Cal had planned to divert water illegally from a government irrigation project in return for a large kickback from the Indians; left unexplained is why Cal would have flown off in the midst of such tricky negotiations. Soon after Daniel's discovery, the plot collapses in melodramatic confusion. The best writing here is about alcoholism; once Amidon's plotting becomes as effective as his taut style, he may write a novel of real power.

Pub Date: June 15, 1993

ISBN: 0-88001-296-X

Page Count: 218

Publisher: Ecco/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1993

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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