One of King’s finest works.

LISEY’S STORY

The widow of a bestselling novelist reveals that the wellspring for his ideas is a very dark place, indeed.

First and last, this is a powerful love story—and love causes people to do strange and remarkable things. It has been two years since legendary novelist Scott Landon died. His widow, Lisey, has finally summoned the strength to begin clearing and cataloguing his workspace. It is a significant metaphor that Scott and Lisey never had children. Instead, their coupling allowed him to produce numerous novels that thrilled readers. His bestselling works are filled with raw emotion. Academic vultures circle the widow, desperate for access to Scott’s massive archive of unpublished works, notes and secrets. And some of those secrets are worth killing for. Only Lisey knows the source of Scott’s magic, the place where imagination runs wild, the place called Boo’Ya Moon. Scott and Lisey shared a life full of passion, but his death has left a void in her life. She is adrift, confused and stalked by supernatural forces. Incunks prowl, while Lisey chases bools and ducks blood-bools. Sometimes it is unclear where her reality stops and her imagination takes over. Battling against Scott’s legacy, Lisey also comes face to face with her own demons at the edge of Boo’Ya Moon. King is surprisingly introspective and mature here. He showcases the agony and the ecstasy of the writing process. Where Misery (1987) looked at the relationship between writer and fan, this time it is that of the writer and his one true love. There seems to be much of King in the character of Scott (although Scott is both a Pulitzer- and National Book Award–winner). Pain and suffering are Scott’s literary trademarks. The Buddha taught that the end of suffering is supreme happiness. When King finally reveals Lisey’s fate, we all reach the same destination in Boo’Ya Moon.

One of King’s finest works.

Pub Date: Oct. 24, 2006

ISBN: 0-7432-8941-2

Page Count: 528

Publisher: Scribner

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2006

Did you like this book?

The phrase “tour de force” could have been invented for this audacious novel.

Reader Votes

  • Readers Vote
  • 19

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2015

  • Kirkus Prize
  • Kirkus Prize
    winner

  • National Book Award Finalist

A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

Did you like this book?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

FIREFLY LANE

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

Did you like this book?

more