A fine showcase of emerging and small-press authors.
The latest edition of the yearly anthology series offers a vivid cross section of contemporary gay life.
Though its title is something of a misnomer—The Best Gay Small Press Stories might be more fitting—this collection, edited by Berman, doesn’t suffer for its conspicuous absence of today’s most famous gay writers. Its 20 stories (most of them fiction, with a few autobiographical pieces included) examine multiple generations of gay experience. Ameen’s “Irrespective of the Storm,” for instance, chronicles his arrival in New York City in 1978, nodding to a subterranean sexual culture almost unrecognizable today, while several of the stories grapple with the meaning of commitment in the modern age of Internet sex. Though the complexity of desire might not be the most surprising thematic throughline for an anthology of gay writing, the collection succeeds precisely due to the fact that the stories are complicated, populated with believable, imperfect characters and plenty of ethical gray areas. If desire is one of the collection’s primary concerns, another dominating interest is capturing varied moments in gay men’s lives. Jones’ searing “Boy, A History” follows a character known only as Boy throughout his sexual awakening in a hostile environment. Other contributors tell stories of young love and long-term relationships turned tepid, middle-aged anxiety and elderly isolation. Though the book’s no less enjoyable for it, the anthology’s scope can feel narrow at times, with the majority of its stories taking place in familiar urban gay settings and most of its characters of an educated, well-cultured set. But the book does succeed in representing a wide range of voices—though there’s nothing approaching experimental here—and the result is a compellingly diverse reading experience: strong writing throughout, with each story distinct from the next. While this collection’s nuanced depictions of gay men today will surely attract gay readers, the quality of its stories transcends niche interest.
A fine showcase of emerging and small-press authors.Pub Date: June 1, 2013
ISBN: 978-1590211526
Page Count: 267
Publisher: Lethe Press
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: May 15, 2013
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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