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WRAITH LORDS OF ZEIGLON

WAR OF THE STAFFS: BOOK II

Offers an enjoyable romp for high fantasy fans, but lacks rounded characters.

Stephenson and Tedrick (War of the Staffs, 2016) deliver a second installment in their saga of swords, sorcery, and the depths of space.

Picking up where the previous novel left off, the war-torn planet Muiria remains under the threat of Lord Taza, a vampire warlock with the magic staff of a dark goddess and a mighty army. Still, Prince Tarquin—prophesied to destroy Taza—the wizard Celedant, the elven rebel Morganna, and others continue to oppose the vampire, despite his best efforts to kill them. Now the race is on for the virtuous forces to find the lost piece of the Staff of Adaman and turn the tide before it’s too late. At the same time, good and evil engage in a complex dance of coalitions and politics, as each group attempts to bolster its alliances, and Taza tries to frighten the nations of light into inaction. The vampire also plans to travel “through the void in search of new and greater creatures to pit against” Prince Tarquin and his band and “to contact the Shadow Lords.” As tension mounts, the heroes grow closer and learn to lean on one another for support, and sometimes more. But close bonds and noble intentions alone cannot stave off the sinister warriors in the field or the destruction when the two sides finally clash. As in the first volume, complex battle scenes and the myriad races, cultures, and powers in Muiria are strong selling points, and during the quest for the Staff of Adaman, the audience sees even more of this rich, intriguing world. Unfortunately, while the broad scope and multiple perspectives will appeal to some readers, the details may be overwhelming for others, and anyone attempting to read this book as a stand-alone will likely get lost. Additionally, the prose is awkward and excessively specific at times, which can draw readers out of this Tolkien-esque epic: “The prince’s frantic retreat had foiled a deadly blow from her scimitar, aimed at his exposed neck, when he tumbled over a tree root.” Finally, while the story provides more background for the cast’s personal relationships, the characters remain archetypal and simplistic for the most part, making large sections difficult to navigate and showing a lack of depth that plagues the novel as a whole.

Offers an enjoyable romp for high fantasy fans, but lacks rounded characters.

Pub Date: July 13, 2017

ISBN: 978-1-61296-905-3

Page Count: 294

Publisher: Black Rose Writing

Review Posted Online: Sept. 25, 2017

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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