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THE AWAKENING

FATE IN MOTION

A complex tale of cosmic evil featuring a glamorous, well-developed ensemble.

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In Boisvert’s debut sci-fi novel, the first in a trilogy, three people with type-A personalities experience strange enlightenments.

Lanie Montrose is a pop-music superstar with a troubled personal life, known as much for her recreational drug use as for her talent. She’s trying to get clean, but when she overdoses at a party under suspicious circumstances, she’s taken to a clinic in Malibu, California. Soon afterward, Suki Carter, Lanie’s therapist, meets a woman named Becca on the street whom she met at the same party; Becca hands Suki a data stick before she’s killed in front of the therapist in a hit-and-run. Meanwhile, Suki’s childhood friend James Sinclair, a Scottish-born paranormalist and “conspiracy investigator” for the CIA, is tending to his dying mother; he’d long been skeptical of her lifelong ravings about aliens and Knights Templar, but then he sees a strange vision that changes his mind. It’s later revealed that the three main characters have mystical and genetic connections that go back millennia; they’re part of a mass “awakening” going on all over the world as praying mantis–like aliens start mobilizing operatives to prepare for the return of an ancient, evil space being. It turns out that James, Suki, and especially Lanie are key to Earth’s defense against the onslaught. Boisvert drops Danielle Steel–like characters into a New Age–y sci-fi/fantasy plot. Surprisingly, given the planetary stakes, she focuses tightly on her small cast, acutely analyzing the trio’s emotional states as they gradually acclimate to their amazing destinies. She does this so well, in fact, that readers likely won’t wonder too much about whether Lanie is supposed to be Madonna, Britney Spears, or Katy Perry. However, other subplots—about a 9/11–type attack, a pioneering Mars mission, and all the other humans “awakening” to their superpowers—end up being shunted to the margins. More of these details, though, may be forthcoming in future volumes, following this one’s cliffhanger finale.

A complex tale of cosmic evil featuring a glamorous, well-developed ensemble.

Pub Date: Sept. 15, 2018

ISBN: 978-1-71982-893-2

Page Count: 436

Publisher: Time Tunnel Media

Review Posted Online: Oct. 9, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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