A tech-driven thriller; entertaining despite the inflated prose.


Author Holt’s (Substrate, 2016, etc.) innovative thriller drives home the fact that technology isn’t always our friend.

This is Holt’s second novel featuring Lincoln “Mac” MacMahan, a professor and veteran suffering from PTSD. In Oblique (2016), Mac and his students uncovered a government plot to influence the upcoming presidential election (where do authors get such outlandish ideas?). This time around, Mac; his wife, Mindy; and his students discover a foreign scheme to replace the newly elected Margie Perserve, the first female U.S. president, who seeks to unify the country after her divisive predecessor’s nefarious plan failed. But the autocratic, lascivious ruler of an Asian country has Perserve kidnapped, replacing her with an undetectable solid hologram that enables him to direct American policy. As Holt explains in his preface, these are “Hologram forms with self-sustaining space occupancy, light energy, behavior, touch, and mass. A human facsimile, a replica out of thin air, vectored by the nation’s artificial intelligence (AI) backend.” The president’s husband, Roy, a former solider like Mac, notices changes in his wife’s behavior. Around that same time, Mac and Mindy discover inexplicable shifts in the president’s policies. They bring in computer whiz Justin, one of Mac’s students, who uses a filter and finds something suspicious in recent images of Perserve. It’s a race to uncover the imposter and free the president from her overseas captors. Holt’s novel is a satisfying blend of sci-fi, suspense, and romance. He paces his narrative well. The reader is shuttled from Asia to Washington, D.C., to New York as the tension builds. Holt, who comes from a technological background, makes the holographic process believable, no small feat. The novel, however, assumes a tiresomely earnest tone. The leader and his minions are evil, while all the Americans are morally correct. This is especially evident when it comes to the two couples, Mac and Mindy and Margie and Roy: “I do know that what kept me going through all my recovery were dreams of you and your embrace. Imagining that you loved me,” Mindy says. Still, action wins the day here and largely distracts from the flaws.

A tech-driven thriller; entertaining despite the inflated prose.

Pub Date: Aug. 10, 2018

ISBN: 978-0-692-15823-4

Page Count: 282

Publisher: Time Tunnel Media

Review Posted Online: Oct. 1, 2018

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.

Pub Date: June 13, 1995

ISBN: 0-399-14059-X

Page Count: 400

Publisher: Putnam

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 1995

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