An erudite thriller that recalls Dan Brown’s Robert Langdon series—only smarter.
Stanfill’s (The Blood Remembers, 2001) novel follows an unlikely pair of lovers as they piece together an ancient puzzle that will shed light on an age-old mystery.
In 1953, an archaeological team working in Vix, a small town in the Burgundy region of France, found the 2,500-year-old tomb of a woman some claim to have been a Celtic princess. The burial site, surprisingly well preserved, housed both the woman’s body and a treasure of immeasurable value that included a perfectly intact krater (a ritual wine vessel) likely cast in Southern Italy. While the groundbreaking find revealed much, it left many questions unanswered: Who was this mysterious woman? Why was she entombed with such treasure? And what was the origin of the foreign urn? These questions—which still vex experts today—drive Stanfill’s scintillating tale of intellectual discovery and budding romance. In contemporary Venice, Bianca Evans Caldwell—an American author—crosses paths with archaeologist Giovanni de Serlo at a wedding and immediately falls for the suave, confident Italian. But neither suspect that this chance meeting would send them both on a continent-spanning adventure that will help solve the mysteries of the Vix krater and the sleeping princess, all while delivering surprising new insights into the mythology of England and France. Stanfill’s narrative initially feels ornate, but it morphs into a lively, precise plot. The author pours her estimable learning into this, her fourth novel, and she’s equally comfortable writing about the nuances of ancient art, the links between myth and history, and the nooks and crannies of modern-day Italy. And though her book seems by turns a travel guide or an archaeology textbook, its details only add verisimilitude to a satisfyingly complex story of love, learning and intrigue in Europe.
An erudite thriller that recalls Dan Brown’s Robert Langdon series—only smarter.Pub Date: July 1, 2012
ISBN: 978-0615657547
Page Count: 258
Publisher: Story Merchant
Review Posted Online: Aug. 21, 2012
Kirkus Reviews Issue: Sept. 15, 2012
Review Program: Kirkus Indie
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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