A brisk, accomplished horror debut from an author to watch.
In Drago’s debut novel, an insidious horror reveals itself in a small North Carolina town.
The town of Crow Creek is experiencing two tragedies: In the dramatic foreground, a massive sinkhole has suddenly opened up on King Street, swallowing cars and businesses and very nearly some citizens; in the background, the town has seen an inordinate number of inexplicable suicides in recent years. The sinkhole, which naturally takes precedence, opens underneath the normal day-to-day lives of a well-drawn cast of characters, including loutish Stan “Krully” Krulikowski, a branch manager at Crow Creek Savings; and Sheriff Brad Gleason, who’s taking care of his father, the previous sheriff. (Drago writes of the old man’s decline into senility with memorable sensitivity.) Gleason is the kind of guy that others turn to in times of crisis, but his young daughter Maddie was one of the town’s suicides two years ago (“She drove up to Ninth Street on lunch break one afternoon, waited for a Southern Railways freight car, and ended her life. Plain and simple. Left her keys in the ignition with the car running”), and he’s as puzzled as everyone else in town about what’s driving so many people to take their own lives. Those deaths are regularly commemorated by the town’s enigmatic cleric, Pastor Aken, and Drago develops Aken’s darkness so skillfully that by the time readers actually meet the pastor in person, it’s no surprise that he’s the villain of the story. As Sheriff Gleason agonizes over hearing the disembodied voice of his dead daughter, the author grippingly weaves issues of faith and the afterlife into his bubbling plot. Drago’s major literary influence is fairly obvious; the small town of quirky locals, the dogged teamwork amid adversity, and the compelling, central figure of evil are very much Stephen King’s territory. However, Drago navigates this terrain with considerable skill and a good ear for dialogue and deadpan humor.
A brisk, accomplished horror debut from an author to watch.Pub Date: April 15, 2014
ISBN: 978-0615982663
Page Count: 376
Publisher: Gold Avenue Press
Review Posted Online: May 22, 2014
Kirkus Reviews Issue: July 1, 2014
Review Program: Kirkus Indie
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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