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COUNTERS

An honest, engaging tale of living through war.

In Taylor’s debut novel, the skies over Vietnam become a rite of passage for an American soldier.

Quiet and impressionable, 24-year-old Steve Mylder volunteers for a tour in Vietnam after graduating from the Colorado Air Force Academy and serving six months in a squadron in England. With little world knowledge beyond his Arizona youth and officer’s training, Steve comes of age in the midst of military life at Danang Air Base. The young lieutenant’s aircraft is an F-4C Phantom II, “a two-pilot plane with an aircraft commander in the front seat to do most of the flying and a pilot in the backseat to do almost everything except pilot. Steve was in the back.” Most of his buddies’ life goals amount to flying a tour over Vietnam–consisting of 100 counters, or missions–and returning for a second tour to become a front-seater. Others are more ambitious, like Mike Ross, Steve’s bunkmate, who dreams of becoming a U.S. senator, or wild man Avery Aughton, a future chief of staff who falls madly in love with a Vietnamese beauty who he spots while flying 50 feet overhead. The protagonist’s only future goal is getting out of Vietnam alive. Adhering to age-old superstitions, his lucky charm for survival is newly grown peach fuzz, an “invisible protomustache.” Mission after mission, Steve checks off his counters, spending nights submerged in poker and hijinks with his friends at the DOOM club bar, surviving rocket attacks on Danang and penning dispatches as a war correspondent for his hometown newspaper. Author Taylor, a veteran of Danang, brings personal authenticity to this fictional account of Vietnam air combat. From soldier’s soldier Col. Sanger to Maj. Scott, who makes the life-or-death decisions around here,” and sub-Lt. Sam, the base’s collie mascot, the book is studded with rich, often juxtaposing characters that touch on philosophical questions of war. There’s a vivid contrast between swaggering language and graceful, even prose, which is underscored with deep internal subtext. The author brings a balanced and original perspective to a genre too often dominated by the action.

An honest, engaging tale of living through war.

Pub Date: Dec. 2, 2008

ISBN: 978-0-595-46427-2

Page Count: -

Publisher: N/A

Review Posted Online: May 23, 2010

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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