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DEMARIS PROTOCOL

A tense, engrossing espionage tale.

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1n 1992, a gay man is blackmailed by the CIA into becoming a spy in this debut thriller.

Trey Carter is a 22-year-old former gymnast, a graduate of an evangelical Christian college, and deeply closeted about his sexuality. When a handsome stranger flirts with him and approaches him, naked, in a deserted rooftop pool in Washington, D.C., Trey thinks he’s about to have a sexual encounter. Instead, several black-clad men appear and place a sack over his head. He soon finds himself in an interrogation room, and he believes that he’s under arrest. Instead, he’s presented with an offer that’s nothing short of surreal: “There’s a program that we are considering for you. We’ve never allowed in someone without military training...but your background is intriguing and possibly of service to us.” It turns out that the CIA is recruiting closeted civilians to serve as operatives on missions that require a man seducing another man; they call this program the Demaris Protocol. Trey can either join the team and submit himself for training or be outed by the agency to all of his friends and family. Seeing little choice, Trey acquiesces. His trainer is Rick Morgan, the lone survivor of the original Demaris Protocol of 1981, in which the recruits were all gay military personnel facing dishonorable discharges. Rick harbors misgivings about the program, but the best help that he can give Trey is to make sure he survives the ordeal. Randall writes in a quick, lean prose that highlights the tension in every scene. The pacing is swift, even as the book seems to cover nearly every hour of Trey’s training, employing swift jumps between various characters’ perspectives. The high stakes and the sexual chemistry between Trey and Rick combine to create an engaging, if sometimes-melodramatic, reading experience. Randall claims in an introduction that the story is based on events that actually happened to him and that the concept behind the Demaris Protocol was once an actual policy of the CIA; however, the story would be just as compelling as a complete fantasy.

A tense, engrossing espionage tale.

Pub Date: June 20, 2017

ISBN: 978-1-4808-4639-5

Page Count: 372

Publisher: Archway Publishing

Review Posted Online: July 27, 2017

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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