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Indian diplomat and first-novelist Swarup uses a heavy-handed formula to frame a high-concept retelling of good vanquishing...

A cheery picaresque in which an orphaned, ill-educated boy abandoned to hardscrabble existence in the teeming slums of Dharavi, India, wins a billion rupees on a nationally televised quiz show—and then is forced to defend himself against charges of cheating.

Thomas Mohammad Ram will need the gods of all three religions that engendered his name to help him survive the trials that befall him. Deserted at birth, Ram spends a few formative years at a Catholic orphanage, where a kindly priest looks after him. When the priest is killed by an evil he refused to acknowledge, Ram must navigate the consequences of other temporary benefactors’ greed and of his own desire to keep from an early grave. His sojourns include working as a houseboy for Bollywood’s most famous “Queen of Tragedy”; being held captive by an enterprising sadist who intentionally maims children so that they will become more prosperous beggars; running errands for a contract killer with a passion for cricket, and putting in a stint as a “freelance” tour guide at the Taj Majal. But Ram’s most dangerous encounter is with the police, who arrest and beat him after the producers of Who Will Win a Billion? accuse Ram of cheating. After all, they ask, how can a near illiterate have correctly answered all 12 questions, which touched on matters from arcane Indian history to Western classical music? It’s a question Ram’s female defense attorney—who mysteriously appears to demand a fair trial—asks, too. Together, they review a videotape of the show. Each quiz question prompts Ram to narrate in flashback a different chapter in his brief but adventurous life that ultimately—the reader can be absolutely sure—reveals the correct answer.

Indian diplomat and first-novelist Swarup uses a heavy-handed formula to frame a high-concept retelling of good vanquishing evil in the age of reality TV. It’s too pat to be profound, but clever and fun all the same.

Pub Date: Aug. 1, 2005

ISBN: 0-7432-6747-8

Page Count: 336

Publisher: Scribner

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2005

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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