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DOG DAYS

Popular German novelist Kempowski etches a comic portrait— partly self-portrait?—of an author as aging narcissist living the good life in a disagreeable world. Successful novelist Alexander Sovtschick, a 60-year-old literary princeling in his northern German spread, complete with swimming pool and a 72-foot stretch of bookshelves, can be extremely funny—and tiresome. Much has to be waded through before the comic payoffs, chiefly his self-aggrandizing (when not self-pitying) interior monologues that circle around again and again to the same subjects. Among them: the rebukes he suffers as a conservative author for not writing something of contemporary relevance, and the sexual attractiveness of young women—or, rather, girls, since he seems to have a Lolita complex. All this is played out during the hot July/August days while Sovtschick's wife is on vacation in France. He collects around him two teen- age sisters as household help, two visiting young nieces, and two neighbor girls. He does little more than fondle their ear lobes, but he feels like a caliph, while being treated like a vassal. His paradise is besieged when another of his romp-mates, a retarded girl from a poor family in the neighborhood, is murdered. Meanwhile, he is supposed to be writing a novel about a man in the depth of winter writing about a man in the heat of summer. Kempowski is at his wittiest when spoofing the whole literary endeavor, including public readings at bookstores and the politics of prize-granting committees. He is also very good on dogs, of which his author has three. There's laughter in this playful novel as a reward for readers willing to put up with long stretches of the inner life of a German Philistine in an intellectual's clothing.

Pub Date: May 1, 1991

ISBN: 0-938100-78-5

Page Count: 380

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1991

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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