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ICE REICH

Rousing, Indiana Jones’style debut thriller with scheming Nazis, hair-raising escapes, sweeping scenery, and romance in a volcanic cave. Seattle Times journalist Dietrich (Northwest Passage, 1995, etc.), who won a Pulitzer for his coverage of the Exxon Valdez disaster, goes to the last place left on earth for a WWII-era adventure: Antarctica, where, Dietrich adds in an afterword, Hermann Gîring actually sent a group of German explorers in 1938. In Dietrich’s fictional account, the Germans take with them American flyboy Owen Hart, whose previous attempt to fly across the South Pole ended in a humiliating failure. Owen, whom we first meet in Alaska after he crashes his plane, knows nothing of the Third Reich’s dark side. Eager for adventure, he goes to Berlin, where he meets Gîring, plays with Gîring’s electric train set, and falls for the beautiful and brainy Garbo-ish biologist, Greta Heinz. Alas, Greta seems to be pledged to the expedition’s commander, the compulsively Hitler-hailing SS Major Jurgen Drexler. Following an uneventful voyage to a continent Dietrich likens to a “dream that stung,” the ship is crippled after ramming an ice pack during an impromptu battle with a Norwegian whaler. The ship ties up for repairs at an uncharted volcanic island, where Owen encounters the creepy ruin of a Norwegian ship whose crew has been killed by a hideous infectious disease. Owen and Greta explore the island, discovering the disease’s antidote just as the Germans begin to become infected. After a tryst in a slime-filled cave, Owen and Greta are separated’she fleeing with Drexler, he forced to return with a bunch of suspicious Norwegians. The story then moves to the closing days of WWII, with Greta and Owen (now reunited) racing back to the deadly island to stop Drexler from using the disease against the Allies. A merry, melodramatic patchwork of adventure films that, when it isn’t evoking predictable cinematic thrills, rivals the page-turners of Alistair MacLean.

Pub Date: Oct. 20, 1998

ISBN: 0-446-52339-9

Page Count: 384

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1998

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HOME FRONT

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...

 The traumatic homecoming of a wounded warrior.

The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart. 

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.

Pub Date: Jan. 31, 2012

ISBN: 978-0-312-57720-9

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Dec. 18, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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