Sensibility overwhelms narrative in this story of homoerotic obsession, a second novel from the British Hollinghurst (The Swimming-Pool Library, 1988). Pudgy, bespectacled Edward Manners is a 32-year-old gay Englishman just arrived in an unidentified Flemish town, where he will give English lessons to two students, pursue his own ``bits of writing,'' and check out the gay scene—a Continental adventure before the onset of middle age. In short order, he finds a sex partner (Cherif, a hot young Moroccan) and falls in love with one of his students, 17-year-old Luc Altidore, ``a blond Aztec'' expelled from an exclusive Jesuit school for serious truancy. Edward does not declare his love, though his theft of his beloved's underwear is a symptom of his obsession, an obsession he finds paralleled in the life of local Symbolist painter Edgard Orst (18651944) while working on a catalogue for the Orst Museum. Orst became obsessed with a Scottish actress. Though their affair was cut short when she drowned at sea, Orst painted her for the rest of his life. Edward starts to see Luc's eyes as those of an ``Orst temptress''; he is fascinated by the story, appropriately, for he is a pedant/aesthete whose most passionate outburst is reserved for a Muzak rendition of Mozart in a hotel dining room. Edward's cultural and sexual history is detailed further when he returns to England for the funeral of his one great love; as teenagers, they made love beneath Milton's ``folding star.'' All this background is presented well, but by the time it's established, Hollinghurst's story has withered on the vine. His attempts to revive it in the final (Belgian) section, as he ups the ante for Edward and Luc while throwing in revelations about Orst's final days, are unsuccessful. As in his debut, Hollinghurst seeks thematic richness by counterpointing lives from different eras, but here his weakness as a storyteller is even more marked. (Author tour)

Pub Date: Oct. 17, 1994

ISBN: 0-679-43605-7

Page Count: 432

Publisher: Pantheon

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 1, 1994

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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