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THE FAMILY MARKOWITZ

With wit, panache, and genuine affection for her characters, Goodman (Total Immersion, 1989) offers a saga of an archetypal Jewish-American family. Though ostensibly a novel, many of the ``chapters'' here were originally published in The New Yorker as short stories, giving the work the feel of a collection, a photo album offering both casual snapshots and formal portraits of the family's history. A lack of narrative cohesion is sometimes discernible, then, as each chapter takes up a different relative during the last 15 years or so of the family life. Still, the slight discrepancies and holes in the chronicle are only mildly disruptive, for Goodman creates a wonderful collection of genuine individuals. The book begins with 73-year-old Rose Markowitz at the deathbed of her beloved second husband Maury. Popping Percodans, suffering through a visit from Maury's estranged and overbearing Israeli daughter, Rose is doing all she can to retain dignity in the midst of difficulties, including her sons' bickering financial advice. The aging Rose makes several appearances later in the narrative, though the tangled lives of her two children, Henry and Ed, take center stage. The Anglophilic Henry, a second-rate art dealer in Venice Beach, transforms himself, becoming the manager of a Laura Ashley boutique in Oxford (while changing sexual preferences midstream). Meanwhile, Middle East scholar Ed wages small battles with life's encroaching difficulties: Rose's overdoses and illnesses, his daughter Miriam's new fanatical orthodoxy, and the small, persistent indignities and peculiarities of the scholarly life. These trials and tribulations are hardly as prosaic as they sound, for humor and compassion abound; Goodman draws the reader into the family circle with such deftness and speed that these self-aware, determined characters all begin to seem remarkably and enjoyably familiar. A success for Goodman, offering a frank and funny depiction of the strains and intermittent but distinct joys of family relations.

Pub Date: Sept. 1, 1996

ISBN: 0-374-15321-3

Page Count: 272

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1996

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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