An assured novel borne along by a swiftly moving storyline that addresses the most profound issues with elegant humor. Let’s...
The first novel in 20 years from Roy (The God of Small Things, 1997, etc.) and a book worth the wait: a humane, engaged tale of love, politics, and no small amount of suffering.
Who is the fairest of them all, Anjum or Tilottama? Both are beautiful, each in her own way, but time has not been kind to either. Born with both male and female genitals and likened to the disappearing corpse-cleaning vultures of India, Anjum lives among ghosts, while Tilo has been caught up in an independence movement and risks execution at the hands of a coldly technocratic army officer. Roy’s latest begins as a near fairy tale that soon turns dark, full of characters and their meetings, accidental and orchestrated alike, in the streets, rooming houses, and business offices of Delhi: school friends become partners in political crime, lovers become strangers to one another. Of one such pair, Roy writes, "He, a revolutionary trapped in an accountant’s mind. She, a woman trapped in a man’s body." But, Roy tells us, identities are what we make of them; in an early scene, the mother of a child the other children taunt as “She-He, He-She Hee!” seeks guidance in a temple consecrated to a Jewish merchant who moved from Armenia to Delhi, converted to Islam, and ended life dangerously committing blasphemy by virtue of his uncertainty about the nature of God. So it is with all the people of Roy’s book, each trying to live right in this world of “fucked-up unexpectedness.” Roy’s novel shows clear kinship with Gabriel García Márquez’s One Hundred Years of Solitude, a story that, like hers, begins and ends with death; the first and last place we see here is a cemetery. But there are other echoes, including a nicely subtle nod to Salman Rushdie, as Roy constructs a busy world in which characters cross boundaries of ethnicity, religion, and gender to find, yes, that utmost happiness of which the title speaks.
An assured novel borne along by a swiftly moving storyline that addresses the most profound issues with elegant humor. Let’s hope we won’t have to wait two decades for its successor.Pub Date: June 6, 2017
ISBN: 978-1-524-73315-5
Page Count: 464
Publisher: Knopf
Review Posted Online: March 29, 2017
Kirkus Reviews Issue: April 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PROFILES
A promising debut that’s awake to emotional, political, and cultural tensions across time and continents.
A novel of sharply drawn character studies immersed in more than 250 hard, transformative years in the African-American diaspora.
Gyasi’s debut novel opens in the mid-1700s in what is now Ghana, as tribal rivalries are exploited by British and Dutch colonists and slave traders. The daughter of one tribal leader marries a British man for financial expediency, then learns that the “castle” he governs is a holding dungeon for slaves. (When she asks what’s held there, she’s told “cargo.”) The narrative soon alternates chapters between the Ghanans and their American descendants up through the present day. On either side of the Atlantic, the tale is often one of racism, degradation, and loss: a slave on an Alabama plantation is whipped “until the blood on the ground is high enough to bathe a baby”; a freedman in Baltimore fears being sent back South with the passage of the Fugitive Slave Act; a Ghanan woman is driven mad from the abuse of a missionary and her husband’s injury in a tribal war; a woman in Harlem is increasingly distanced from (and then humiliated by) her husband, who passes as white. Gyasi is a deeply empathetic writer, and each of the novel’s 14 chapters is a savvy character portrait that reveals the impact of racism from multiple perspectives. It lacks the sweep that its premise implies, though: while the characters share a bloodline, and a gold-flecked stone appears throughout the book as a symbolic connector, the novel is more a well-made linked story collection than a complex epic. Yet Gyasi plainly has the talent to pull that off: “I will be my own nation,” one woman tells a British suitor early on, and the author understands both the necessity of that defiance and how hard it is to follow through on it.
A promising debut that’s awake to emotional, political, and cultural tensions across time and continents.Pub Date: June 7, 2016
ISBN: 978-1-101-94713-5
Page Count: 320
Publisher: Knopf
Review Posted Online: March 1, 2016
Kirkus Reviews Issue: March 15, 2016
BOOK REVIEW
PROFILES
SEEN & HEARD
A flawed but never dull drama.
A disadvantaged teen finds friendship, acceptance and love with a prosperous Seattle-area family, until a tragic accident changes everything.
Alexa (Lexi) Baill, daughter of a heroin addict, has bounced around the foster-care system for years. A long-lost great aunt, Eva, a Walmart employee, offers Lexi a home in her trailer across the bridge from Pine Island (Hannah’s fictional stand-in for Bainbridge Island) near Seattle. At Pine Island High School, Mia, daughter of Jude and Miles Farraday, and twin sister of Zachary, considers herself an outcast. She bonds instantly with the equally alienated Lexi. Soon, the Farraday’s opulent Pine Island residence is Lexi’s second home. As senior year approaches, Lexi and Zach fall in love and are relieved that Mia approves. Jude, whose days are a pleasant whirl of caring for her elaborate garden and being a supermom, has a strained relationship with her own mother. As seniors, Zach, Mia and Lexi can’t avoid Pine Island’s teen party scene. One foggy night, Zach and Mia get falling-down drunk, and Lexi, less inebriated, urges Zach to let her drive his Mustang home. (The question of who actually drove is left vague, which dodges several moral bullets, to the story’s detriment.) On a hairpin curve, the Mustang spins out and crashes. Mia is thrown from the backseat and killed. Zach and Lexi sustain milder injuries, but Lexi’s blood-alcohol level was above the legal limit, and she accepts the blame for killing Mia. Jude turns against her implacably. Lexi, unwilling to burden Eva with the expense of a trial, pleads guilty to vehicular homicide and serves over five years in prison. While incarcerated, she gives birth to Zach’s child, Grace, and relinquishes her to the Farradays. Grace bears such an uncanny resemblance to Mia that Jude finds it almost impossible to warm to her. Released from prison, Lexi returns to Pine Island, only to find that her daughter is as isolated and distrustful as any foster child.
A flawed but never dull drama.Pub Date: March 29, 2011
ISBN: 978-0-312-36442-7
Page Count: 400
Publisher: St. Martin's
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: Jan. 15, 2011
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
