DEATH OF KINGS

The surprise is that Cornwell’s love scenes are as deft as his action scenes, though far fewer, of course—all driven by a...

It’s 898, and life in pre-England is messy, turbulent, quite likely to be short and vividly evoked in Cornwell’s masterful 46th novel (The Burning Land, 2010, etc.).

“ ‘I hate peace,’ ” snarls old soldier Uhtred, who regards periods of relative tranquility—not that these abound in his embattled land—as opportunities for his enemies to mount conspiracies against him and, by extension, King Alfred of Wessex, to whom he has sworn allegiance. Lord Uhtred of Bebbanburg: clever, resourceful, intemperate, charming, feared by most men and adored by too many women. In tribute to his generalship and the unparalleled success he’s had in repelling invasions through the years, the ever-marauding Danes refer to him bleakly as the Sword of the Saxons. It’s King Alfred’s cherished dream to reshape an unruly collection of tribes into a thing called England. He wants it to be Christian and cohesive enough to drive the Danes back into the sea once and for all. The Christian part is what Uhtred is out of sympathy with. In his view the new religion replaces joy with hypocrisy, a bad bargain, he thinks. Uhtred prefers the old ways when the proper blood sacrifice could propitiate essentially undemanding gods and tip a teetering battle toward victory. But now Alfred’s reign is in its final stages and no one, Uhtred included, can quite figure the geopolitical implications of the aftermath. All agree, however, that it will be unsettled. Worried about the succession, Alfred asks Uhtred to transfer his allegiance to his son Edward, and Uhtred agrees, albeit reluctantly—Edward is no Alfred. The great King dies, smoldering grudges ignite, alliances shift, armies clash and Uhtred is once again a happy warrior.

The surprise is that Cornwell’s love scenes are as deft as his action scenes, though far fewer, of course—all driven by a hard-shelled, sporadically soft-hearted, always charismatic protagonist: George Clooney alert.

Pub Date: Jan. 17, 2012

ISBN: 978-0-06-196965-2

Page Count: 336

Publisher: Harper/HarperCollins

Review Posted Online: Jan. 22, 2012

Kirkus Reviews Issue: Feb. 1, 2012

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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