A laudable denouement that may tempt audiences to read this skillfully fused fantasy series again.
In this conclusion to a trilogy, a witch heals and protects her cursed vampire mate, a wanted criminal with the potential to stop a fallen angel bent on destroying humanity.
Faithful witch Katherine O’Hickey believes the goddess has guided her to her mate, Julius Crowley. People on both Earth and the daemon realm of Machon are hunting Julius for various crimes, such as putting “daemon kind back into” humans’ consciousness. But he committed these acts while possessed by a Watcher (fallen angel) for three centuries. Though the Watcher has been exorcised, Julius remains cursed, with a voice often persuading him to kill himself. Kat heals his wounds, primarily self-inflicted, and Julius gradually recollects memories of atrocities the possessed vampire perpetrated. Kat also keeps Julius’ presence hidden from friends, including witches Lilith and Trina, who share the title of the Original, which makes them the rightful leaders of daemon kind. An ancient poem further declares the Original will vanquish the wayward Watcher determined to end humanity—with help from the Knight. Kat is certain her mate is the Knight, if only she can keep him alive long enough. This won’t be an easy feat, because there’s a good chance she’s slowly losing her Magic. For each book in her fantasy trilogy, Crescent (The Shadow, 2017, etc.) has created an engrossing tale that is both part of a whole and a stand-alone. This novel, for example, inserts a previously established villain (Julius) into a fresh romantic storyline. It’s done convincingly, as Kat’s belief in her goddess-given mate is steadfast, despite his behavior sometimes resembling madness. This makes the couple’s anticipated sex profuse with tenderness, though the author doesn’t scale back on titillating passages: “He licked the crease of her leg. Nipped the underside of her breast. Suckled her earlobe.” Still, there’s room for plenty of supernatural action: to thwart the wayward Watcher, humans and daemons alike must battle the fallen angel’s monstrous children, the Nephilim.
A laudable denouement that may tempt audiences to read this skillfully fused fantasy series again.Pub Date: Sept. 19, 2017
ISBN: 978-0-9971872-9-8
Page Count: 348
Publisher: Cara Crescent Books
Review Posted Online: Jan. 15, 2018
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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