Excitingly illuminates an ancient class of warriors despite a few missteps.
Debut author Graft’s historical novel follows a young, kidnapped nomad in the Middle East.
Near the upper Volga River in 1236, Duyal goes about his regular duties as a Kipchak. The Kipchaks are a migratory people whose lives revolve around the animals they tend. It’s not an easy existence, and it’s made even more difficult by raids from enemies. After a devastating attack by Mongols, Duyal is enslaved and taken from the steppe. His final destination is a citadel in the city of Hisn Kayfa in what is present-day Turkey. The citadel, like Duyal, belongs to a powerful prince named al-Salih Ayyub. The plan is to turn Duyal, along with other captured boys, from wild children of the East into Mamluk warriors. The boys train with swords, lances, and bows. If life on the steppe was hard, life in the citadel is almost unbearable. Many of the boys will fail the difficult training, and some will even die. Those who pass, however, will become fearsome warriors. Will Duyal be among the victorious? That question is answered stage by excruciating stage. The text abounds with evocative portrayals, like that of the city Hisn Kayfa: “Upstream, the blue-muddied river winds its way through irrigated fields of green, the rich foliage eventually tapering to tan.” Many particulars are time-appropriate and interesting; for example, in bow training, Duyal doesn’t jump directly to the massive qaw. He and the other recruits must instead work their way up from smaller weapons like the flexible kabad. However, the spell of an ancient environment sometimes falters with lines of modern dialogue. One novice is asked “What’s your malfunction?” and the reader may be left to wonder whether they hadn’t been transported some 700 years into the future world of Full Metal Jacket. Despite such anachronisms, there is an exciting urgency to Duyal’s survival and the greater question of what he will do should he make it through the program.
Excitingly illuminates an ancient class of warriors despite a few missteps.Pub Date: May 16, 2018
ISBN: 978-0-9996338-5-4
Page Count: 468
Publisher: The Sager Group
Review Posted Online: Aug. 25, 2018
Kirkus Reviews Issue: Oct. 15, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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