Not easy, but a serious, ambitious, complex and greatly worthwhile book. Just like the trip.
Travel writer and novelist Hall (The Saskiad, 1997, etc.) expertly deploys his combined skills in a long look at the long travels of Lewis and Clark.
Carefully offloading two centuries of cultural baggage, including the great weights of Thomas Jefferson and Sacajawea, Hall brings the young republic’s great explorers and their co-travelers to unsettled life. Greatest attention goes to Jefferson’s prickly young secretary Meriwether Lewis. Plagued by depression and by his self-centered, frequently widowed mother, Lewis would be no one’s choice today to lead a vital national mission. The better-balanced, more cheerful William Clark, soldier brother to a revolutionary hero, would seem to have had the righter stuff. But it was Virginia-born Lewis who was at the president’s elbow when Jefferson shelled out for a quarter of a continent. And Lewis was not your usual clerk. Fiercely intelligent, he had absorbed as much as possible from an abbreviated education, and he had exercised his abilities like a soldier. Clark was, indeed, Lewis’s old army buddy, and it was that friendship that brought the frontier Louisvillian to his great adventure and national fame. Unraveling his narrative from varied viewpoints—those of the two young explorers, the teenaged Shoshone woman who accompanied them, her aging French Canadian husband/owner, and, ultimately, Clark’s long-suffering slave, York—Hall draws on reams of historic documents and makes wonderfully real both the rackety, rash quality of the president’s personal project and the unsettled inner lives of the explorers. Dragging a presidentially designed folding iron, swapping cheap trinkets with constantly changing Indian tribes, eating dogs, navigating by the heavens, the casual directions of the natives, and their own best guesses, journalizing in their different styles, the two captains do what should have been impossible: winning national fame and national jobs. Clark’s natural buoyancy supports him to the end; Lewis’s personal demons drag him to an early death. Hall takes the greatest risks with Sacajawea, realizing her thoughts in dense passages that, even so, when carefully followed, make the neolithic Shoshone world palpable.
Not easy, but a serious, ambitious, complex and greatly worthwhile book. Just like the trip.Pub Date: Jan. 13, 2003
ISBN: 0-670-03189-5
Page Count: 420
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2002
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK TO SCREEN
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
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