Jay Crawford has just escaped from a maximum security prison after serving 10 years for a rape he didn’t commit. Now he's about to realize that life as a fugitive may put everyone he loves in danger.
Weber returns with the cast of Married Men (2001), who are fiercely devoted to friendship, sex, and scandal. Pushed to confess to the crime in order to make parole, Jay busts out. Although his jailbreak may put each of his friends at risk for aiding and abetting, none of them shies away from doing what’s best for "the family." Soon U.S. Marshals show up in Kyle Richmond’s backyard—while he and his wife, Lisa, indulge in afternoon erotic play—and the pressure is on. Meanwhile, Wil Duncan is being downsized out of a job and courted by his uncle to join the shadowy family business, a job he would refuse, but his wife, Diane, has grown quite accustomed to living in style. The fourth friend, Allen, is realizing that his newlywed wife, Cassie, may be less trustworthy than he thought. Despite the risks, the friends band together to help Jay evade the marshals. But Jay’s troubles with the law pale in comparison to the repercussions he fears from Ashlee, his accuser. Will she exact revenge through his family? Disguised as a woman, Jay begins his own detective work, which collides with his friends’ troubles at every turn. Staccato sentences, rapidly shifting perspectives, and multiple plot twists propel Weber’s storyline. While the speed ratchets up the tension, it barely obscures the thinness of the characters. The women, in particular, suffer, with each assessed according to her physique, sexual availability, and loyalty to her man’s wishes.
A testosterone-driven tale of bromance and beautiful yet shifty women.Pub Date: Jan. 17, 2017
ISBN: 978-1-4555-0527-2
Page Count: 304
Publisher: Grand Central Publishing
Review Posted Online: Oct. 19, 2016
Kirkus Reviews Issue: Nov. 1, 2016
Categories: GENERAL FICTION
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A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
Categories: GENERAL FICTION
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BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 22, 2014
Kirkus Reviews Issue: Jan. 1, 2015
Categories: GENERAL FICTION
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BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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