A young orphan battles the forces of the ruling Christian right wing in this slightly futuristic, often clumsy Southern fantasy by first-time novelist McNair. The time is the near future, the place Goshen, Ala., and the forces of conservative, evangelistic Christianity have taken over the United States government after a violent second civil war. The nation is now headed by The Father, a charismatic dictator whose burning eyes stare from every television channel, whose New Constitution forbids citizens to take his name in vain, and whose military forces, the Christian Soldiers, ransack the countryside in search of cigarette smokers, homosexuals, single mothers, and other enemies of the state. Fourteen-year-old Buddy, whose parents were killed in a factory explosion and whose revered older brother, Randy, was shot through the heart during a rebel uprising, has fled an orphanage to live alone in the deep woods outside Goshen. Longing for his dead brother, swearing vengeance on the Christian Soldiers for his death, Buddy expresses his anger by donning a terrifying monster costume at every full moon and frightening random groups of Christian citizens half to death. On one of these forays, Buddy encounters pretty, 15-year-old Cissy, whose own mother has just died, whose Christian, war-hero father is long gone, and who is perfectly happy to follow Buddy to the forest and share his idyllic, pagan life. Amiable kids at heart, Buddy and Cissy find it easy to bury the hatchet as far as their families' political differences are concerned; they frolic happily in their private paradise, trading life stories and making love among the fox fire and the ``See-Me-Know-Me'' trees—until the Christian Soldiers arrive to wreak revenge. An ingenuous blend of Huckleberry Finn and 1984 that entertains but rarely convinces.
Pub Date: Nov. 1, 1994
ISBN: 0-312-11296-3
Page Count: 288
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1994
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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