The literary equivalent of a slasher movie, one that garners its biggest frights with mere implication.

GRIMM WOODS

A demented murderer—inspired by a summer camp’s fairy-tale theme—hunts young counselors in this horror outing.

Scott Mamer is one of several first-time counselors for the upcoming three-month stint at Camp Crownheart, but at 21, he’s also the oldest. Losing out on six weeks of construction work and with rent due, Scott responded to an ad for the camp, which caters to troubled kids and resembles a fairy tale, with cobblestone paths leading to huts instead of cabins. Abiding by owner Charlotte Becker’s rule to “behave impeccably” means Scott will temporarily have to give up his beloved cigarettes. But things are looking up once he sparks a conversation with striking blonde and fellow counselor Brynn. The next morning, however, when the first busload of kids arrives, two counselors are noticeably absent. They both turn up dead from an apparent accident, but Charlotte has no plans to shut down the camp, believing that would be more harmful for the hundreds of children who’ll be attending this summer. Sadly, later deaths are unmistakably at the hands of a killer, whose murders recall fairy tales: not the family-friendly variety, but the original, violent stories à la the Brothers Grimm. The generally indifferent Scott will have to decide whether he wants to help others or only himself. Melhoff (Turkey Town, 2014, etc.) hits all the trademarks of a slasher film, from the camp setting to a horde of sex-starved teens. This includes the occasional pratfall: most of the would-be victims, even the protagonist initially, are unsympathetic, seemingly interested in partying above all else. Regardless, the author shrewdly gives prominence to suspense over the murders, often shown after the fact. Tension builds with copious scenes in the woods at night, ominous sounds like hooting owls, and silhouettes lurking in the shadows. At the same time, Scott’s likability gets a significant bump when he conquers his obvious discomfort around children and becomes a protector. And while the killer’s identity isn’t immediately known, there’s likewise mystery surrounding Scott, who receives a cryptic message from the murderer that may have him revisiting a stowed-away memory.

The literary equivalent of a slasher movie, one that garners its biggest frights with mere implication.

Pub Date: June 17, 2015

ISBN: 978-0-9921331-3-9

Page Count: 384

Publisher: Bellwoods Publishing

Review Posted Online: Dec. 13, 2016

Did you like this book?

No Comments Yet

TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Did you like this book?

No Comments Yet

ONE DAY IN THE LIFE OF IVAN DENISOVICH

While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

Did you like this book?

more