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THE FOUR-GATED CITY

This is the fifth and last installment of Doris Lessing's Bildungsroman—Children of Violence—which began with Martha Quest, published in England in 1952. Twice as voluminous (more than 600 pages) and much more overwhelming than any novel in the series, it will reveal changes in Miss Lessing, Martha, and the world which now outdistances our time and crosses into the next century after The Catastrophe. When last seen before leaving Africa, Martha was a combative young woman with a strong masculine mind and female instinct—the latter only apparent here at the very outset since sexuality becomes a very ancillary concern. So too for the most part do the political events and ideas and stances (Communism) with which Martha was involved. Now as the book opens in London, she is totally unaffiliated, wanting no liens and having no belongings beyond a suitcase. Temporarily she goes to live with Mark Coldridge, whose wife is in a mental hospital, and help him with his writing and his messy, muddled household which expands continuously (relatives, children of relatives, mental patients, etc.) Lynda, Mark's wife, comes back from the hospital to live in the converted basement with another disturbed woman and hold seances. Martha herself has one period of dangerous instability when threatened with the visit-visitation of her own mother. As time goes on, she identifies more and more with Lynda and the failure of drugs, psychiatrists, shock treatment—a failure which is a lack of awareness of some sort of inner life unknown to science. Miss Lessing, always a protester, seems to be inveighing once again against entrapment—whether political or social or psychiatric, opting for freedom which ultimately she and Lynda (with their special extrasensory powers) find at the close on a nameless island. Certainly much less of a direct documentary than the earlier books, at times ambiguous and confusing. But it does have the self-propelled continuity of The Golden Notebook, a kind of flaying, furious, obsessive momentum which should assure much of the same audience.

Pub Date: May 16, 1969

ISBN: 0060976675

Page Count: 674

Publisher: Knopf

Review Posted Online: Sept. 28, 2011

Kirkus Reviews Issue: May 1, 1969

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE RUMOR

Once again, Hilderbrand displays her gift for making us care most about her least likable characters.

Hilderbrand’s latest cautionary tale exposes the toxic—and hilarious—impact of gossip on even the most sophisticated of islands.

Eddie and Grace Pancik are known for their beautiful Nantucket home and grounds, financed with the profits from Eddie’s thriving real estate company (thriving before the crash of 2008, that is). Grace raises pedigreed hens and, with the help of hunky landscape architect Benton Coe, has achieved a lush paradise of fowl-friendly foliage. The Panciks’ teenage girls, Allegra and Hope, suffer invidious comparisons of their looks and sex appeal, although they're identical twins. The Panciks’ friends the Llewellyns (Madeline, a blocked novelist, and her airline-pilot husband, Trevor) invested $50,000, the lion’s share of Madeline’s last advance, in Eddie’s latest development. But Madeline, hard-pressed to come up with catalog copy, much less a new novel, is living in increasingly straightened circumstances, at least by Nantucket standards: she can only afford $2,000 per month on the apartment she rents in desperate hope that “a room of her own” will prime the creative pump. Construction on Eddie’s spec houses has stalled, thanks to the aforementioned crash. Grace, who has been nursing a crush on Benton for some time, gives in and a torrid affair ensues, which she ill-advisedly confides to Madeline after too many glasses of Screaming Eagle. With her agent and publisher dropping dire hints about clawing back her advance and Eddie “temporarily” unable to return the 50K, what’s a writer to do but to appropriate Grace’s adultery as fictional fodder? When Eddie is seen entering her apartment (to ask why she rented from a rival realtor), rumors spread about him and Madeline, and after the rival realtor sneaks a look at Madeline’s rough draft (which New York is hotly anticipating as “the Playboy Channel meets HGTV”), the island threatens to implode with prurient snark. No one is spared, not even Hilderbrand herself, “that other Nantucket novelist,” nor this magazine, “the notoriously cranky Kirkus.”

Once again, Hilderbrand displays her gift for making us care most about her least likable characters.

Pub Date: June 16, 2015

ISBN: 978-0-316-33452-5

Page Count: 384

Publisher: Little, Brown

Review Posted Online: May 20, 2015

Kirkus Reviews Issue: June 1, 2015

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