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Rosyland

A NOVEL IN THREE ACTS

A skillfully written novel with plenty of intrigue, plot twists, and romance.

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The need for revenge runs deep in Ingold’s (Square, 2014, etc.) latest mystery/thriller.

Elisa Gilbert, a costume designer for a repertory company, abandons her life in Oregon and heads to her childhood home in San Francisco after she catches her actor husband and his leading lady in flagrante delicto. She moves in with her mother, Ruth Bolcar, a divorced alcoholic who’s proud of her daughter’s decision to leave. Lawrence “Pug” Bolcar, Elisa’s father, is a larger-than-life attorney who enjoys the ladies and a round of poker now and then, and he’s in financial trouble following a massive loss at cards. As Elisa attempts to sort her own life out, Pug tries to avoid paying his debt and becomes entangled in a series of events involving wiretaps, seemingly vengeful Colombians, and a drug-smuggling operation. Behind the scenes stands Harold Manx, a cop who’s never recovered from the loss of his daughter to a cult nearly 10 years ago. He blames Pug, who assisted her legally, for her estrangement and sets in motion a complicated scheme to embarrass and destroy him. Although Elisa has her hands full trying to take care of her mother and deal with a potential new love interest, she gets swept up in Pug’s troubles as well. Ingold’s book has all the makings of a film noir, with plenty of booze and cigarettes, but it has a neater (and happier) ending than most stories of that genre. Most of the characters show a layer of desperation; they’re all dealing with their own troubles while unknowingly caught in the same web. Ingold’s narrative is laid out like a movie or stage play, and its shifts from scene to scene are effortless. He maintains the easy flow of each character’s separate plotline until they all tie neatly together. Glimpses of everyday life, such as Harold and his wife doing dishes or Elisa standing alone on her balcony at night, provide welcome breaks from the complicated yet compelling sting operation involving Pug and Harold. The relationship between Elisa and her handsome new man is an enjoyable addition to the mystery.

A skillfully written novel with plenty of intrigue, plot twists, and romance.

Pub Date: July 5, 2016

ISBN: 978-0-9786-9519-4

Page Count: 376

Publisher: Wolfenden

Review Posted Online: July 5, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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