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I SAY A LITTLE PRAYER

Moving and honest exploration of sex, sin and redemption.

A gay Atlanta businessman struggles to make peace with his faith and sexuality when his first love unexpectedly reappears.

With a successful greeting-card company, chic apartment and no shortage of handsome male admirers, Chauncey Greer has much to be thankful for. And he shows his gratitude every Sunday by attending services at Abundant Joy, a moderately sized church where he feels accepted, “measured by the love I have in my heart and not the lust I have in my head.” It is during one rousing service that he finds himself haunted by his past, and the singing career he gave up far too soon. As a teenage member of R&B boy band Reunion, Chauncey briefly tasted fame, until his close relationship with bandmate Sweet D tore the group apart. Ready for a comeback, Chauncey is understandably excited when his pastor taps him to sing at a revival headlined by up-and-coming minister and senatorial candidate Bishop Damien Upchurch. His joy turns to dismay when he finds out that the young bishop is none other than Sweet D, all grown up and running on a conservative—and rabidly anti-gay—platform. Chauncey is then torn between outing the hypocritical preacher and keeping his private life private. To add to this stress, Chauncey is menaced by a studly wannabe-be blackmailer and confronted by Damien’s nasty shrew of a wife, Grayson, who wants to make sure that nothing stands in the way of her Election Day plans. Harris’s addictive latest (A Love of My Own, 2003, etc.) manages to capture both the erotic heat and spiritual fervor of Chauncey’s world, as the man is forced to face the choices he has made, and the fact that he has been unable to enjoy a committed relationship since parting with Sweet D. The story ends somewhat quickly with a silly soap opera twist that does little to cloud its inspiring message of spiritual love and inclusion.

Moving and honest exploration of sex, sin and redemption.

Pub Date: May 2, 2006

ISBN: 0-385-51272-4

Page Count: 256

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2006

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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