With prickly yet endearing Hattie, readers ponder the meaning of faith, commitment, love and loyalty without being fed easy...

WORLD AND TOWN

In Jen’s latest (The Love Wife, 2004, etc.) a retired teacher—the daughter of an American missionary who abandoned organized Christianity and a Chinese father descended from Confucius—struggles to put her life back together after the deaths of her husband and best friend.

Hattie Kong, 65, has lived as an outsider in America since she was sent here from China after the Communist takeover in that country. After being widowed she moves to Riverlake, the New England vacation town where she spent summers as a girl. Two years later she is embedded in the community but remains deeply lonely, turning mainly to her dogs for companionship. So when a family of Cambodian refugees moves in next door, she can’t help involving herself in their troubled lives, giving them a wheelbarrow for their garden and befriending the teenage daughter, Sophy. But Hattie’s understanding of the family’s complex history is dangerously limited, and when Sophy becomes “born again” under the influence of a local woman whose brand of fundamental Christianity Hattie distrusts, the girl turns against not only Hattie but her troubled older brother with near tragic results. At the same time, retired biology professor Carter Hatch, the love of Hattie’s life, turns up in town to waken long-dormant and confusing emotions. Newly arrived in America from China, Hattie lived with the Hatches, a prominent family of intellectuals. Although she and Carter had only one sexual encounter before they married other people, they shared an unspoken bond as young biologists until he let her down professionally. Now they play a painful game of approach-avoidance. Meanwhile, Hattie’s Chinese relatives besiege her with requests that she re-bury her parents’ remains in the family’s Confucian cemetery for reasons she dismisses as superstitious.

With prickly yet endearing Hattie, readers ponder the meaning of faith, commitment, love and loyalty without being fed easy answers (except against the stereotypically villainous fundamentalist Christians). But the usually deft Jen has thrown too many characters into the stew, serving up a novel of ideas more easily admired than enjoyed.

Pub Date: Oct. 11, 2010

ISBN: 978-0-307-27219-5

Page Count: 400

Publisher: Knopf

Review Posted Online: Aug. 27, 2010

Kirkus Reviews Issue: Sept. 15, 2010

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THE COLDEST WINTER EVER

Debut novel by hip-hop rap artist Sister Souljah, whose No Disrespect (1994), which mixes sexual history with political diatribe, is popular in schools country-wide. In its way, this is a tour de force of black English and underworld slang, as finely tuned to its heroine’s voice as Alice Walker’s The Color Purple. The subject matter, though, has a certain flashiness, like a black Godfather family saga, and the heroine’s eventual fall develops only glancingly from her character. Born to a 14-year-old mother during one of New York’s worst snowstorms, Winter Santiaga is the teenaged daughter of Ricky Santiaga, Brooklyn’s top drug dealer, who lives like an Arab prince and treats his wife and four daughters like a queen and her princesses. Winter lost her virginity at 12 and now focuses unwaveringly on varieties of adolescent self-indulgence: sex and sugar-daddies, clothes, and getting her own way. She uses school only as a stepping-stone for getting out of the house—after all, nobody’s paying her to go there. But if there’s no money in it, why go? Meanwhile, Daddy decides it’s time to move out of Brooklyn to truly fancy digs on Long Island, though this places him in the discomfiting position of not being absolutely hands-on with his dealers; and sure enough the rise of some young Turks leads to his arrest. Then he does something really stupid: he murders his wife’s two weak brothers in jail with him on Riker’s Island and gets two consecutive life sentences. Winter’s then on her own, especially with Bullet, who may have replaced her dad as top hood, though when she selfishly fails to help her pregnant buddy Simone, there’s worse—much worse—to come. Thinness aside: riveting stuff, with language so frank it curls your hair. (Author tour)

Pub Date: April 1, 1999

ISBN: 0-671-02578-3

Page Count: 320

Publisher: Pocket

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...

FLY AWAY

Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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