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GOLDILOCKS, PRIVATE EYE

A pleasing, well-judged blend of genres with a good resolution.

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In this middle-grade chapter book, private detective Goldilocks takes the case of a man whose missing grandparents have been replaced by bears.

After her father dies, 10-year-old Goldilocks inherits the family business: a private detective agency, which she runs with her cat, Charlotte, in the town of Lick Skillet. Money is tight, the rent is overdue, and she must do her best to avoid the wild-haired Tom the Kid-Snatcher, who rounds up kids without parents for the local orphanage. (He even occasionally kidnaps children who aren’t orphans: “He was that kind of kid-snatcher.”) Goldilocks advertises her detecting services, and her first client is a man named Frank Sims who wants her to find his missing grandparents—and figure out why bears are now living in their house. She’s glad to take the case, but her client’s grandparents live in the nearby Black Forest, which is notoriously full of scary creatures, and she’ll have to pass near the orphanage, besides. In order to avoid some dangers, including Tom, Goldilocks leaves the safe forest path; luckily, she meets Patty, an orphanage escapee who lives in the forest. The girls become friends and partners, solving the mystery and alerting authorities to the orphans’ mistreatment. Trine (Willy Maykit in Space, 2015, etc.) skillfully mixes fairy tales and detective fiction with a coming-of-age story about braving danger to prove oneself. Such elements could easily become rather dark, and Trine does touch on serious issues (including Goldilocks’ money problems), but moments of humor help to lighten the story. For example, Tom’s horse-drawn jail, the Patty Wagon, is named after his most recent captive: “With any luck he’d soon change the name to the Goldie Wagon.” The girl-power message is also appealing. Baykovska (The Nasty Princess, 2018, etc.) provides lighthearted, cartoonish black-and-white pencil illustrations for each chapter head; these offer nice details, such as the fact that Tom bears some resemblance to Struwwelpeter, a character from a well-known 1845 children’s book.

A pleasing, well-judged blend of genres with a good resolution.

Pub Date: Aug. 31, 2019

ISBN: 978-1-73395-892-9

Page Count: 114

Publisher: Time Tunnel Media

Review Posted Online: June 24, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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