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THE WINDOW TRAIL

From the Big Bend Country Mystery series , Vol. 1

An absorbing, well-crafted mystery alive with colorful, substantive characters in a vivid setting.

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In this series opener, a gruesome murder with far-reaching consequences unsettles a Texas town and brings together an attractive college professor and a young lawman intent on solving the case.

Before professor Claire Harp came to the state university in Alpine, Texas, a sophomore called Mote McCrary hiked up the Window Trail into the mountains of Big Bend National Park and leaped off a cliff. Mote’s professor and mentor, Michael Kincaid, subsequently rocked the publishing world with a much-lauded book based on conversations with the teen. The site of Mote’s death became a destination for young devotees of Kincaid’s literary triumph. When two of them persuade Claire to take them there, it turns out to be a distressing trip, made more disturbing on the way back when a coyote passes by with a woman’s hand in its mouth. Claire and Capt. Clayton Alton Shoot from the sheriff’s office find the rest of the remains the next day in a remote area of a wealthy rancher’s property. The dead woman turns out to be a part-time tech assistant at the university, notorious for her multiple affairs. The attraction between Claire and Clayton grows; meanwhile, the solution to the murder, obscured by an abundance of motives, is complicated by Alpine’s overly ambitious chief of police. Claire also finds herself on the trail of a second mystery that may or may not be related to the brutal crime. Rusz (How To Write Anything, 2019, etc.) deftly gives his characters substance and weaves humor and poignancy into escalating plot twists and turns. (Even the revelation of the perpetrator’s identity doesn’t quite lead where expected in the aftermath.) And the author, who clearly knows the territory, brings alive the book’s setting, the Trans-Pecos region of Texas, where readers can picture “a silhouette of mountains, purple and black against a sky that would not quite disappear, the horizon a bazaar of volcanic tents and towers” and the “northern fingers of the Chihuahuan desert reaching into Far West Texas.”

An absorbing, well-crafted mystery alive with colorful, substantive characters in a vivid setting.

Pub Date: July 4, 2019

ISBN: 978-1-72242-487-9

Page Count: 284

Publisher: CreateSpace

Review Posted Online: Aug. 29, 2019

Kirkus Reviews Issue: Oct. 1, 2019

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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