THE TRUTH AT THE HEART OF THE LIE

HOW THE CATHOLIC CHURCH LOST ITS SOUL

Balanced yet uncompromising, an urgent call to action for believers and a fitting capstone to a fruitful career.

A deeply personal exploration of what has broken the modern Catholic Church.

Using his own vast experience, former priest and accomplished religion journalist Carroll, author of such landmark works as An American Requiem and Constantine’s Sword, demonstrates to readers why the Roman Catholic Church is in a state of international crisis. The author’s detailed, honest, and brutal treatment of his subject matter is consistently captivating. He identifies the primary issue as “clericalism,” a dysfunctional, exalted view of the clergy that has led to systemic, generational misogyny and, ultimately, to the reprehensible child molestation crisis that has become, over decades, horrifyingly widespread. Carroll looks back on centuries of warped theology and abuses of power while also telling his own story of growing up in the pre–Vatican II church and finding disillusionment later. He describes 21st-century corruption as stemming from the work of thinkers who died centuries ago. Augustine of Hippo (354-430) and Anselm of Canterbury (circa 1033-1109), both of whom were later designated as saints, advanced theological beliefs about sex, the body, and women that celebrated the sanctity of the priesthood in damaging ways. Augustine, writes the author, formed an “anti-human theology,” and through Anselm’s influence, “death trumped life in the Catholic imagination.” Over time, the ossified, male priesthood became an exceedingly powerful force, featuring extraordinary abuses of power and a distorted view of Christ and his church. Carroll saw this firsthand in his interactions with priests and monks throughout his youth and early adulthood. Disenchanted with the church after it ignored the attempted reforms of the Second Vatican Council, the author left the priesthood and, eventually, almost left the faith. He is still a believer, however, and urges others to join him in enacting “an anti-clericalism from within,” delivering a book that seamlessly combines moving, forthright autobiography and searing critique.

Balanced yet uncompromising, an urgent call to action for believers and a fitting capstone to a fruitful career.

Pub Date: March 23, 2021

ISBN: 978-0-593-13470-2

Page Count: 384

Publisher: Random House

Review Posted Online: Feb. 3, 2021

Kirkus Reviews Issue: March 1, 2021

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  • New York Times Bestseller

TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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