A bit much, truth be told, what with all those swelling emotions, soldierly love letters, and lyrical quotes from WWII’s...
Unabashedly romantic fiction from the author of Dance a Little Longer (1993), this time about a small-town enchantress and her swains, circa 1944.
The few men and boys in Cold Springs, Texas, who haven’t been drafted are madly in love with Grace Gillian, but they all prefer to admire her sensual, careless beauty from a safe distance. Even John Appleby, a handsome widower with whom she shared a night of blissful passion, now keeps her at arm’s length. Grace can’t understand it any more than she can understand why her husband, Bucy, abandoned her without a word of explanation. Everyone seems to think she’s just too different somehow. Why, she painted her house an outrageous shade of turquoise, and she’s forever quoting poetry to the dazzled teenagers in her English class—that’s enough to arouse suspicion right there. Young Bobby Moore has a conspicuous crush on her, and so does his respectable father, not that Robert Moore IV would ever admit it to his wife, a free spirit in her own right and a Yankee to boot. Crisscrossing subplots emerge here, involving Bobby’s unrequited love for the girl next door and his father’s callous disregard for the family’s much-loved black maid, who can’t afford the surgery she needs. Grace is too preoccupied by her feelings for John to notice much of this; she’s annoyed by his standoffishness and his sudden decision to join the Army. On impulse, she takes the train to New York to find her errant husband and meets a dashing military man en route. Smitten Sgt. Dan Manning vows to return for Grace by war’s end. Shortly thereafter, Bucy agrees to a divorce. But here’s the quandary: John Appleby corresponds faithfully, but his dispassionate, careful tone irks Grace. Looks like Dan’s her man, but will he survive to make her his?
A bit much, truth be told, what with all those swelling emotions, soldierly love letters, and lyrical quotes from WWII’s greatest hits.Pub Date: May 1, 2001
ISBN: 0-525-94602-0
Page Count: 256
Publisher: Dutton
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: March 15, 2001
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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