A complex and tightly paced historical thriller.
Spies, diplomats, and lovers cross paths in Berlin in this Cold War–era novel.
Flanders (The Northwest Country, 2016, etc.) follows his First Trumpet trilogy with an engrossing tale of intrigue and duplicity. It’s 1959, and young American diplomat Dillon Randolph has been transferred to Berlin after his last posting resulted in a scandalous affair with an ambassador’s wife. Determined not to disappoint his distinguished family again, he agrees to avoid romantic entanglements in Germany. Luckily for readers, desire can’t be dictated, and he finds himself immediately drawn to East German actress Christa Schiller. However, she’s working for the Stasi (the East German secret police), and she’s agreed to lure Dillon into another scandal in order to protect her imprisoned younger brother. In the midst of these developments arrives Feliks Hawes, a British intelligence officer who’s been tasked with identifying the source of Secret Intelligence Service leaks from Berlin. The divided city, as U.S. security officer Lars Swanson claims, is positively “crawling with spies,” and Flanders continuously expands the novel’s scope to deliver a disorienting, heady mix of Soviet, East German, American, Hungarian, and British characters, each with his or her own agenda. As Christa remarks, “You can never be sure who is informing, who will guard your secrets, and who will trade them for their advantage.” The love-story plotline offers some of the book’s stalest lines (“Confronted by her beauty, he realized that he still desired her, that he wanted nothing more in that moment than to kiss her lips”). However, it also provides subtle commentary on how beauty can blind people, with each lover underestimating the other. Similarly, several intelligence officers miscalculate the Soviet Union’s dedication to isolating its sector of the city. In this uncertain period before the 1961 construction of the Berlin Wall, characters move from one side of the city to the other as easily as they shift alliances—unaware of the life-altering change in store.
A complex and tightly paced historical thriller.Pub Date: March 2, 2018
ISBN: 978-0-9908675-6-2
Page Count: 308
Publisher: Munroe Hill Press
Review Posted Online: May 30, 2018
Kirkus Reviews Issue: July 1, 2018
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
