Krakauer lays the portent on beautifully, building his tales carefully from the ground up until they irresistibly, spookily...
The jarring story of a double murder committed by fundamentalist Mormons, told with raw narrative force and tight focus.
Yet this is far more than just the retelling of a grisly murder, for Krakauer (Into Thin Air, 1997) would like to know what was going on in the heads of the men, Dan and Ron Lafferty, when they killed Brenda Lafferty and her 15-month-old daughter Erica (who happened to be their sister-in-law and niece, respectively), and why Dan, in particular, could be so equi-poised when talking of the event as to display an utter lack of remorse. Finding out requires an extended journey through the world of Mormonism, its history and schisms, and by extension the history of its expansion over the western half of the country. Fundamentalist Mormons differ from mainstream Latter-day Saints in many ways, but their practice of polygamy, notions of blood atonement (revenge), and belief in the importance of personal revelation—their listening to that “still small voice” of God, once a hallmark of Joseph Smith’s religion, until he realized it would compromise his authority in matters of church doctrine—made them outlaws in the eyes of the establishment Mormons. Dan’s “yearning to return to the mythical order and perfection of the original church,” one that had been corrupted by the church hierarchy for years now, led him to fundamentalism, which in turn led him to believe his brother Ron’s revelations: that Brenda and Erica must die for the good of the Lord’s work (that Brenda encouraged Ron’s wife to leave him may have played, let’s say, a small role in the revelation). Krakauer worms deeply into the Mormon religious experience, its fractures, violence, and fight against the growing power of the central government. At the moment “when religious fanaticism supplants ratiocination,” then “all bets are suddenly off.”
Krakauer lays the portent on beautifully, building his tales carefully from the ground up until they irresistibly, spookily combust.Pub Date: July 15, 2003
ISBN: 0-385-50951-0
Page Count: 320
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2003
BOOK TO SCREEN
BOOK TO SCREEN
Internationally renowned because of his earlier books, among them tape Letters, Surprised by Joy, Mere Christianity, C. S. Lewis making religion provoking, memorable and delightful is still more latest Reflections on the Psalms. Though he protests that he writes learned about things in which he is unlearned himself, the reader is likely thank God for his wise ignorance. Here especially he throws a clear lightly or not, on many of the difficult psalms, such as those which abound with and cursing, and a self-centeredness which seems to assume' that God must be side of the psalmist. These things, which make some psalm singers pre not there, have a right and proper place, as Mr. Lewis shows us. They of Psalms more precious still. Many readers owe it to themselves to read flections if only to learn this hard but simple lesson. Urge everyone to book.
Pub Date: June 15, 1958
ISBN: 015676248X
Page Count: 166
Publisher: N/A
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: June 15, 1958
Told with mettle and intelligence, Sebold’s story of fierce determination to wrest back her life from her rapist will...
A stunningly crafted and unsparing account of the author’s rape as a college freshman and what it took to win her case in court.
In 1981, Sebold was brutally raped on her college campus, at Syracuse University. Sebold, a New York Times Magazinecontributor, now in her 30s, reconstructs the rape and the year following in which her assailant was brought to trial and found guilty. When, months after the rape, she confided in her fiction professor, Tobias Wolff, he advised: “Try, if you can, to remember everything.” Sebold heeded his words, and the result is a memoir that reads like detective fiction, replete with police jargon, economical characterization, and film-like scene construction. Part of Sebold’s ironic luck, besides the fact that she wasn’t killed, was that she was a virgin prior to the rape, she was wearing bulky clothing, and her rapist beat her, leaving unmistakable evidence of violence. Sebold casts a cool eye on these facts: “The cosmetics of rape are central to proving any case.” Sebold critiques the sexism and misconceptions surrounding rape with neither rhetoric nor apology; she lets her experience speak for itself. Her family, her friends, her campus community are all shaken by the brutality she survived, yet Sebold finds herself feeling more affinity with police officers she meets, as it was “in [their] world where this hideous thing had happened to me. A world of violent crime.” Just when Sebold believes she might surface from this world, a close friend is raped and the haunting continues. The last section, “Aftermath,” has an unavoidable tacked-on-at-the-end feel, as Sebold crams over a decade’s worth of coping and healing into a short chapter.
Told with mettle and intelligence, Sebold’s story of fierce determination to wrest back her life from her rapist will inspire and challenge.Pub Date: Aug. 1, 1999
ISBN: 0-684-85782-0
Page Count: 240
Publisher: Scribner
Review Posted Online: Jan. 2, 2011
Kirkus Reviews Issue: June 1, 1999
BOOK REVIEW
BOOK REVIEW
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