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HORSEPLAY

Lots of galloping plot strands keep this bit of folderol racing along.

A sprightly comic tone and a North Carolina horse farm make for a bit more than just another silly romance.

Judy van Brunt, 33 and a high-school English teacher, decides that her husband Marshall’s newest affair is the last straw and takes off. First, she checks in with her sister Ruth to let her know she’s leaving (she dubs Judy “Saint Ruth of the Perfect Life,” a woman who serves “fabulous scones from a secret-source bakery whose location she was reluctant to share”). Always happiest at her weekly riding lessons, Judy takes a job as a working student for Katarina Rheinboldt, a German-born Olympic trainer, and in short order is mucking-out stalls and learning how to handle the brood mares. Newcomer Singer is at her strongest in the details of this work—the spills and tumbles in learning to ride top-level horses, the social hierarchy of the dormitory (some boarders are wealthy horsewomen, others working students like Judy), the competitive ring and the fundraisers. Judy transcends her position as groom when she attracts the attentions of Speed Easton, wealthy lawyer and horse-breeder. The two have a fling, and Judy is drawn to him until he tries to involve her in a mysterious midnight cult ritual, when she spurns him and turns to a series of spectacular but difficult horses. Her husband tracks her down and, through a series of mishaps, ends up shot to death by her dorm-mate’s daughter. They hadn’t divorced, so now Judy has money enough to buy a horse for herself. But her favorite falls on top of her, leaving her with a concussion and a broken leg. The local orthopedist, a dreamy doctor who dislikes horses, becomes her new love interest, forcing Judy to choose between her love of horses and her love of the doctor.

Lots of galloping plot strands keep this bit of folderol racing along.

Pub Date: Sept. 14, 2004

ISBN: 0-7679-1851-7

Page Count: 304

Publisher: Broadway

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2004

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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