Carter sharply sorts history in terms of the personal ruling styles of these three fallible monarchs.
Carter (Anthony Blunt: His Lives, 2002) examines the well-worn but endlessly fascinating history of the tight, treacherous ties that bound the royal families of Europe in the early 20th century.
Queen Victoria’s “secret weapon” had been to manage world affairs through the intricacies of her far-flung familial relationships, and all three reigning monarchs by the start of World War I were bound to her by blood and marriage: Kaiser Wilhelm II, Emperor of Germany, was her first grandchild via daughter Vicky; George V, King of England, was another grandson, via her son Edward VII; and Tsar Nicholas II was married to one of her granddaughters, Alexandra. All three cousins spent time together when they were young, and more or less got along. Carter creates elucidating snapshots of their respective dysfunctional upbringings. Wilhelm, who resented his pushy English mother, exhibited symptoms of “narcissistic personality disorder” and went through a period of Anglophobia (he had insulted his grandmother and the English regarded him as a “bumptious Prussian”), before relations improved with his accession to emperor in 1888. Nicholas had suddenly become tsar with the early death of his father in 1894; terrified and wholly unprepared, he was comforted by his English royal cousins before his inscrutability and “opacity” isolated him in Europe in terms of affairs in Africa, the Ottoman Empire and Manchuria. George, probably dyslexic as well as given to bursts of private rage, became the reluctant king in 1910 and was deeply attached to his entitlement and hostile to change such as socialism and trade unions. When the war in the Balkans broke out, the three cousins found themselves entrenched in “deepening cracks of mistrust and tension,” as events slipped beyond their control.
Carter sharply sorts history in terms of the personal ruling styles of these three fallible monarchs.Pub Date: March 23, 2010
ISBN: 978-1-4000-4363-7
Page Count: 528
Publisher: Knopf
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: Jan. 1, 2010
BOOK REVIEW
A slim volume packed with nourishing nuggets of wisdom.
Life lessons from the celebrated poet.
Angelou (A Song Flung Up to Heaven, 2002, etc.) doesn’t have a daughter, per se, but “thousands of daughters,” multitudes that she gathers here in a Whitmanesque embrace to deliver her experiences. They come in the shape of memories and poems, tools that readers can fashion to their needs. “Believing that life loves the liver of it, I have dared to try many things,” she writes, proceeding to recount pungent moments, stories in which her behavior sometimes backfired, and sometimes surprised even herself. Much of it is framed by the “struggle against a condition of surrender” or submission. She refuses to preach or consider her personal insights as generalized edicts. She is reminded of the charity that words and gestures bring and the liberation that comes with honesty. Lies, she notes, often spring out of fear. She cheated madness by counting her blessings. She is enlivened by those in love. She understands the uses and abuses of violence. Occasionally a bit of old-fashioned advice filters in, as during a commencement address/poem in which she urges the graduates to make a difference, to be present and accountable. The topics are mostly big, raw and exposed. Where is death’s sting? “It is here in my heart.” Overarching each brief chapter is the vital energy of a woman taking life’s measure with every step.
A slim volume packed with nourishing nuggets of wisdom.Pub Date: Sept. 30, 2008
ISBN: 978-1-4000-6612-4
Page Count: 192
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2008
Literature knows few champions as ardent and insightful—or as uncompromising—as Gornick, which is to readers’ good fortune.
Gornick’s (The Odd Woman and the City, 2016) ferocious but principled intelligence emanates from each of the essays in this distinctive collection.
Rereading texts, and comparing her most recent perceptions against those of the past, is the linchpin of the book, with the author revisiting such celebrated novels as D.H. Lawrence's Sons and Lovers, Colette's The Vagabond, Marguerite Duras' The Lover, and Elizabeth Bowen's The House in Paris. Gornick also explores the history and changing face of Jewish American fiction as expressions of "the other." The author reads more deeply and keenly than most, with perceptions amplified by the perspective of her 84 years. Though she was an avatar of "personal journalism" and a former staff writer for the Village Voice—a publication that “had a muckraking bent which made its writers…sound as if they were routinely holding a gun to society’s head”—here, Gornick mostly subordinates her politics to the power of literature, to the books that have always been her intimates, old friends to whom she could turn time and again. "I read ever and only to feel the power of Life with a capital L," she writes; it shows. The author believes that for those willing to relinquish treasured but outmoded interpretations, rereading over a span of decades can be a journey, sometimes unsettling, toward richer meanings of books that are touchstones of one's life. As always, Gornick reveals as much about herself as about the writers whose works she explores; particularly arresting are her essays on Lawrence and on Natalia Ginzburg. Some may feel she has a tendency to overdramatize, but none will question her intellectual honesty. It is reflected throughout, perhaps nowhere so vividly as in a vignette involving a stay in Israel, where, try as she might, Gornick could not get past the "appalling tribalism of the culture.”
Literature knows few champions as ardent and insightful—or as uncompromising—as Gornick, which is to readers’ good fortune.Pub Date: Feb. 4, 2020
ISBN: 978-0-374-28215-8
Page Count: 176
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 9, 2019
Kirkus Reviews Issue: Nov. 1, 2019
PERSPECTIVES
PERSPECTIVES
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