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STORMY WEATHER

If feisty Jeanine could find a vehicle with more horsepower, her return would be most welcome.

Girl grows up in the Depression-era Texas dustbowl in an evocative but ultimately lackluster second novel from Jiles (Enemy Women, 2001).

Jeanine is the middle daughter of Jack Stoddard, oil-field roustabout and dirt-track racehorse impresario. At age nine, she’s gamely driving drunken, passed-out Dad home in his Tin Lizzie when 19-year-old Ross Everett intervenes, returning the two to Jeanine’s mother Elizabeth and her sisters Mayme and Bea. Then comes the Crash, and the Stoddards move from town to town in search of oil jobs. Jack, his brain injured when he’s exposed to “sour gas,” descends into madness and dies in a jail cell. The women return to Elizabeth’s dilapidated childhood farm. Elizabeth invests their dwindling funds in a wildcat oil well. Jeanine salvages the farm, doing all the housework and repairs, rescuing the peach orchard and clearing the land. As dust storms rage, the New Deal is born and war in Europe looms. Mayme meets a handsome soldier, and Bea scribbles pulpy stories in her journal. Jeanine finds two men mildly amusing: now-widowed rancher Ross, who buys her father’s last stallion and gives her a stake in its winnings; and impish, stuttering newspaperman Milton, whose Runyonesque monologues consume way too much oxygen and page-space. Bea falls down a well, requiring expensive surgery that threatens to bankrupt the family again—unless that oil well isn’t a dry hole after all. Period detail abounds, including authoritative arcana on every subject from oil and horses to windmills and roof patching. Jeanine’s life, beset by one homely obstacle after another (nothing her capable hands can’t handle of course), waxes anticlimactic as she approaches age 21 and resigns herself without much excitement to marriage. The characters other than Milton are utterly convincing in speech and manner, but they’re adrift without a drama in which to act.

If feisty Jeanine could find a vehicle with more horsepower, her return would be most welcome.

Pub Date: May 8, 2007

ISBN: 978-0-06-053732-6

Page Count: 352

Publisher: Morrow/HarperCollins

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2007

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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