by Ray Bradbury ‧ RELEASE DATE: Oct. 12, 1977
To say that Ray Bradbury's poems are energetic would be an understatement: indeed, it is the sheer force of tautly calculated rhyme and meter which hurtles the reader of this volume through some interesting, if familiar, Bradbury territory. Here are the requisite spaceships ("We March On Olympus"), a monologue by Galileo ("The Young Galileo Speaks"), essay-like poems on space travel ("Why, Viking Lander, Why the Planet Mars?") and knowledgeable treatises on literature and its relationship to this popular writer of science fiction ("Out of Dickinson by Poe, Or the Only Begotten Son of Emily and Edgar," "Long Thoughts on Bestsellers by Worst People"). What surprises is the tenderness with which Bradbury writes about his family—"I am the Residue of My Daughters' Lives"—and the master of an idiosyncratic diction reminiscent of e. e. cummings: "They asked me where I'd choose to run, which favored, Ups/ or Downs?/ Where robot mice and men, I said, run round in robot towns. . . ." The relentless rhyming may overwhelm at times, and taken purely as poetry the collection makes few new statements. However, for Bradbury fanatics, this volume provides a well-rounded picture of the man behind The Martian Chronicles. For those unfamiliar or previously unsympathetic, the rhymes are easily readable, sensitive on the average, and accessible for people of all ages and levels of sophistication.
Pub Date: Oct. 12, 1977
ISBN: 0394422066
Page Count: 104
Publisher: Knopf
Review Posted Online: March 20, 2012
Kirkus Reviews Issue: Nov. 1, 1977
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by Ray Bradbury ; edited by Jonathan R. Eller
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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