Rayner (Murder Book, 1997, etc.) captures the vaunting spirit of skyscrapers and their creators with delicacy and freshness....
An atmospheric, if ultimately overwrought, story of love and architecture in war-torn Finland and 1920s New York.
Esko Vaananen meets his true love, Katerina Malysheva, in 1901, when he is just 11. Her father, an embittered drunk and a fierce communist, is the Russian governor of the rural Finnish province where Esko lives. There’s only one phone in this remote village, yet the boy is entranced by the promise of modern architecture. Badly scarred and blind in one eye after a fire set by his mother before she killed herself, Esko dreams of creating buildings free from “the oppressive weight of the commitment to a useless past,” but he can’t liberate himself from his obsession with Katerina. Even though, by 1917, Esko is a rising young architect in Helsinki with no interest in politics, he becomes embroiled on the White side in Finland’s civil war to avenge Katerina’s abuse at the hands of Russia’s victorious Reds. Thinking she’s dead, Esko marries a female architect and begins to establish himself in Finland, but when he spots photographs by “Kate Malysheva” in Vanity Fair magazine, he embarks post-haste for America. There, he encounters Paul Mantilini, an Al Capone–like gangster who declares himself Esko’s blood brother after the Finn saves his life, and W.P. Kirby, an architect in the Frank Lloyd Wright school who teaches Esko that the pure, new style he strives for must be rooted in reality. “We’re trying to help people live,” Kirby says. “With harmony and a little grace. People, land, and building united.” Esko approaches this vision in a complex designed for Andrew MacCormick, a sort of Rockefeller millionaire who turns out to be Katerina’s husband. As the story reaches a melodramatic climax, even more improbable developments pile on thick and fast. Nonetheless, the author’s vivid renderings of wintry, pessimistic Finland and jazzy, anything-is-possible New York linger in the memory.
Rayner (Murder Book, 1997, etc.) captures the vaunting spirit of skyscrapers and their creators with delicacy and freshness. Too bad he fell back on hackneyed plot devices.Pub Date: Feb. 11, 2001
ISBN: 0-06-019634-3
Page Count: 448
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2000
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Entertaining and thoroughly engrossing.
Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.
Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.
Entertaining and thoroughly engrossing.Pub Date: March 31, 2020
ISBN: 978-1-250-12941-3
Page Count: 448
Publisher: Henry Holt
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
BOOK REVIEW
BOOK REVIEW
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