A thoughtful, trenchant adventure story.

SUBTERRANEAN

In this dystopian novel, a counselor searches for his missing girlfriend, a tech heiress who was raised off the grid.

In America’s near future, Ronnie recently lost his job as a children’s librarian, and he was replaced by a robot. Now he has a new position, counseling people who have lost their jobs to robots. His first client is Colin, but they’ve barely started when RIFF23, Ronnie’s personal robot, informs him that his girlfriend, Hilary Francesca Mills, is missing. Ronnie and Hil haven’t spoken since they had a fight two days ago. Hil’s parents, despite owing their own wealth to a high-tech invention, the Selfie Mirror, kept their daughter away from all things “virtual.” Unlike anyone else Ronnie knows, Hil has never owned a smartphonelike Screen or created a social media profile; instead, the duo have communicated by landline (her phone number is 2). This makes Hil hard to track down, so Ronnie, RIFF23, and Colin go in search of her along with others whom they pick up along the way. Their investigations into fringe communities, such as UFO believers and 1990s rave re-enactors, suggest that Hil is at an anti-technology commune at Walden Pond called “HDT,” after Henry David Thoreau. Under the control of Johns Calum, a charismatic leader who’s also Hil’s ex-boyfriend, HDT has become a radical organization—and Johns has shady plans for Hil. A rescue operation develops, but will Hil be able to avoid becoming a pawn in Johns’ game? In her debut novel, Colombo tells an absorbing adventure yarn that satirizes American society by exaggerating the relentless logging of personal experiences on Instagram and other social media platforms. In this future world, people are obsessed with TV shows such as The X-Files and Buffy the Vampire Slayer; one rich man decorates his yard to resemble a graveyard in the latter’s town of Sunnydale. Although the satire is effective, it’s also a bit disappointing not to see a fresher, more forward-looking vision of the future. Still, Colombo’s characterization is strong; the portrait of HDT’s founder, Losi West, is especially well-rounded and poignant. Also, the author’s portrayal of the universal desire for connection is vividly real, moving, and relatable.

A thoughtful, trenchant adventure story.

Pub Date: Aug. 28, 2018

ISBN: 978-0-9997862-3-9

Page Count: 260

Publisher: Spaceboy Books

Review Posted Online: Aug. 13, 2018

Kirkus Reviews Issue: Oct. 1, 2018

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...

FLY AWAY

Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

FIREFLY LANE

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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