Another giddy ride, with no end in sight.
Plucky über-consumer Rebecca Brandon has her work cut out for her as mum to tiny terror Minnie.
With a job she loves (personal shopper, natch), happy marriage and an adorable little daughter, Becky Brandon certainly seems to have it all. Sure, two-year-old Minnie is a bit of a handful. Her spirited behavior gets them banned from various shopping malls. And Becky’s PR whiz hubby Luke might be a tad overworked and distracted. But things are generally good, until the global financial crisis has to come along and really put a damper on Becky’s lifestyle. So as a money-saving concession to her husband, she agrees to stop shopping until she has worn everything in her wardrobe at least three times. Torture! She also throws herself into a new project—planning an over-the-top surprise birthday party for Luke. With visions of fire-eaters, jugglers and a live band, it is clear that Becky’s desires don’t mesh with financial reality. But when has that ever stopped her? She enlists Luke’s trusted assistant Bonnie into her schemes, and tries to “barter” party supplies for slightly used Marc Jacobs bags. Meanwhile, she sees an opportunity at work and starts to offer a “discreet” shopping service for her wealthy clients, where she disguises their purchases in computer paper boxes. It is a big hit, although she neglects to tell her bosses about the subterfuge. And then Luke’s estranged mother, the imperious (and fabulously rich) Elinor, reappears and wants to have a relationship with her granddaughter. The two meet, but well-meaning Becky cannot tell Luke about this, adding to all the many things she is keeping from him. But he has a few secrets as well, and getting him to his own party will take all of Becky’s considerable skills. Chock-full of the kind of sitcom shenanigans Kinsella’s fans expect, this latest in the series (Shopaholic & Baby, 2007, etc.) keeps the silly plot moving along. A little more growth from her iconic heroine, though, might have won over new readers as well.
Another giddy ride, with no end in sight.Pub Date: Sept. 21, 2010
ISBN: 978-0-385-34204-9
Page Count: 432
Publisher: Dial Press
Review Posted Online: July 13, 2010
Kirkus Reviews Issue: Aug. 1, 2010
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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