A well-constructed, action-packed novel.

Fast Track To Glory

One man’s quest for power centers on an ancient artifact in this international thriller.

Nina Monte is an academic expert on religious antiquities and has spent much of her adult life thinking only about the past. But that changes when she’s recruited by an Italian government agency to evaluate a relic found on a 15th-century galley. This prospect excites Nina, as she feels that “something else awaited her there; something, she sensed, that had been there a long, long time. Something of value that was far beyond measurable.” After she arrives at Lake Garda, the relic’s location, she meets lonely hotelier Alessandro Pini, who soon becomes her partner in her adventure. She quickly discovers that the inquiry is actually a ruse by treasure hunter Lammert van der Venn, who’s discovered an ancient stone tablet and wants Nina to decipher its writings. Van der Venn thinks that the tablet’s mantras will grant him power: “I’ll be among those who walked into the Kingdom of Heaven, alive,” he says to Nina, who refuses to help him after finding out what kind of man he is—so he sets his sights on her Indian grandmother Sati who first told her about the tablet years before. Soon the race is on to find Sati, with Nina and Alessandro pitted against van der Ven and his henchmen. Chrusciel (Illusive Intrusion, 2014) uses detailed research to add necessary authenticity to scenes set in Germany, Italy, Austria, and India, such as in this description of Milan’s Piazza del Duomo: “In the middle of the square, to her right, she passed the monument of King Victor Emanuel II, who watched over the Gothic cathedral and other surrounding buildings.” His characters develop throughout the novel, as bookish Nina and mousy Alessandro do more than they ever thought they could do in order to help those they love. The story’s pacing is appropriately breakneck as the couple hurry around the globe and stay just ahead of van der Venn’s lurking shadow. In the end, the tablet’s mysterious powers remain nebulous, but just enough is revealed to suggest that no one should possess them.

A well-constructed, action-packed novel.

Pub Date: Feb. 2, 2016

ISBN: 978-0-9929574-3-8

Page Count: 370

Publisher: Agato House

Review Posted Online: Sept. 16, 2016

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A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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