South African writer Smith leaves the Egyptian sands of River God (1994) and The Seventh Scroll (1995) to deliver a breathlessly plotted, clichÇ-clogged swashbuckler of English pirates harrying Dutch traders off the Cape of Good Hope in 1667. After helping Sir Francis Drake defeat the Spanish Armada, Sir Francis Courteney, his teenage son Hal, and their trusty African sidekick Aboli are roaming the seas aboard the Lady Edwinna as privateers—seamen licensed by King Charles II to prey on ships of the Dutch East India Company as part of England's war against the Dutch. After slipping past their scurrilous rival, Angus, Lord Cumbrae (a.k.a. the Buzzard), the Courteneys seize a Dutch trader and ransom its aristocratic passengers: the loathsomely fat Dutch colony governor Petrus Jacobus van de Velde; his sexy, sadistic wife Katrinka; and the mad, mustachioed musketeer Colonel Cornelius Schreuder, with whom Katrinka is having an affair. The governor whimpers, Katrinka seduces Hal, and Schreuder vows revenge. Meanwhile, Sam Bowles, a cowardly member of the crew, betrays the Courteneys to the Buzzard, who betrays everyone to Colonel Schreuder, who throws the Courteneys and their crew into prison. Sir Francis is tortured and executed, and Hal, Aboli, and the rest of the not-so-merry men are sold into slavery but manage to stage a dashing escape with Colonel Schreuder in hot pursuit. Everybody seeks revenge on everybody else; Hal discovers true love and loss and, in a stirring shipboard climax, faces down bad Colonel Schreuder in a sword-slashing duel to the death. Though Smith's 27th novel brims with his characteristic love of African flora and fauna, the clunky prose, tawdry sex scenes, and trite plotting make this well-researched, fast-paced epic nearly unreadable.
Pub Date: July 12, 1997
ISBN: 0-312-15791-6
Page Count: 554
Publisher: Dunne/St. Martin's
Review Posted Online: Jan. 21, 2011
Kirkus Reviews Issue: April 15, 1997
IN THE NEWS
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
BOOK REVIEW
BOOK REVIEW
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