South African writer Smith leaves the Egyptian sands of River God (1994) and The Seventh Scroll (1995) to deliver a breathlessly plotted, clichÇ-clogged swashbuckler of English pirates harrying Dutch traders off the Cape of Good Hope in 1667. After helping Sir Francis Drake defeat the Spanish Armada, Sir Francis Courteney, his teenage son Hal, and their trusty African sidekick Aboli are roaming the seas aboard the Lady Edwinna as privateers—seamen licensed by King Charles II to prey on ships of the Dutch East India Company as part of England's war against the Dutch. After slipping past their scurrilous rival, Angus, Lord Cumbrae (a.k.a. the Buzzard), the Courteneys seize a Dutch trader and ransom its aristocratic passengers: the loathsomely fat Dutch colony governor Petrus Jacobus van de Velde; his sexy, sadistic wife Katrinka; and the mad, mustachioed musketeer Colonel Cornelius Schreuder, with whom Katrinka is having an affair. The governor whimpers, Katrinka seduces Hal, and Schreuder vows revenge. Meanwhile, Sam Bowles, a cowardly member of the crew, betrays the Courteneys to the Buzzard, who betrays everyone to Colonel Schreuder, who throws the Courteneys and their crew into prison. Sir Francis is tortured and executed, and Hal, Aboli, and the rest of the not-so-merry men are sold into slavery but manage to stage a dashing escape with Colonel Schreuder in hot pursuit. Everybody seeks revenge on everybody else; Hal discovers true love and loss and, in a stirring shipboard climax, faces down bad Colonel Schreuder in a sword-slashing duel to the death. Though Smith's 27th novel brims with his characteristic love of African flora and fauna, the clunky prose, tawdry sex scenes, and trite plotting make this well-researched, fast-paced epic nearly unreadable.
Pub Date: July 12, 1997
ISBN: 0-312-15791-6
Page Count: 554
Publisher: Dunne/St. Martin's
Review Posted Online: Jan. 21, 2011
Kirkus Reviews Issue: April 15, 1997
IN THE NEWS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...
The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.
Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.Pub Date: July 16, 2019
ISBN: 978-0-385-53707-0
Page Count: 224
Publisher: Doubleday
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
